Kix Brooks Sets His Sights on Preserving 93-Year-Old Louisiana Theatre

Kix Brooks Sets His Sights on Preserving 93-Year-Old Louisiana Theatre

Louisiana native Kix Brooks is supporting the preservation of a 93-year-old theatre in his home state with a two-day benefit on Sept. 28 and 29 in Franklin Parish.

Kix will host a two-day Kickin’ It With Kix fundraiser to help preserve the Princess Theatre in Winnsboro, La., which was originally established in 1925 to showcase silent movies.

Princess Theatre: photo courtesy Wendy Pearl PR

On Sept. 28, Kix will headline an intimate performance at the Princess Theatre, with tickets on sale now for $25.

On Sep. 29, corporate and individual donors can take part in an event at Kix’s farm in Extension, La., that will feature dinner, wine from Kix’s Arrington Vineyards label, a live auction and more. There are several levels of support available, ranging from $1,500 to $15,000. Auction items include tickets and a meet-and-greet for four guests at the Reba & Brooks & Dunn Together in Vegas residency at The Colosseum at Caesar’s Palace on Dec. 8.

“Preserving venues like the Princess, which bring the arts to rural communities, is more important than ever,” said Kix. “The arts inspire and institutions like this theatre provide a necessary public service and a convenient, affordable location to experience live entertainment.”

photo by AFF-USA.com

Maggie Rose: Change the Whole Thing Tour

Maggie Rose: Change the Whole Thing Tour

In support of the Sept. 21 release of her upcoming album, Change the Whole Thing, Maggie Rose will embark on a tour of the same name.

Kicking off on Aug. 17 in St. Louis, Maggie will make stops in Los Angeles, Nashville, New York City, Dallas and more. Additional dates will be announced soon.

Change the Whole Thing Tour

  • Aug. 17 – St. Louis, MO – Off Broadway
  • Aug. 18 – Wilson, AR – Grange at Wilson Gardens
  • Sept. 19 – Hollywood, CA – Hotel Café
  • Sept. 20 – Sacramento, CA – Goldfield Trading Post
  • Sept. 23 – Novato, CA – Sweetwater in the Sun Festival
  • Sept. 26 – Nashville, TN – Basement East
  • Sept. 27 – Atlanta, GA – Smith’s Olde Bar
  • Nov. 13 – New York, NY – Rockwood Music Hall
  • Nov. 15 – Lynchburg, VA – Phase 2
  • Nov. 17 – Annapolis, MD – Rams Head On Stage
  • Dec. 6 – Dallas, TX – Sundown at Granada

photo by NCD

Jimmy’s blog: How much time should Pruitt get to turn Vols around?

Jimmy’s blog: How much time should Pruitt get to turn Vols around?

By Jimmy Hyams

Expectations for Jeremy Pruitt’s first year at Tennessee vary greatly among the fan base.

One caller to SportsTalk radio WMNL this week said he thinks Pruitt will win seven to eight games in Year One.

Another said the won-loss record doesn’t matter this year or next.

Another said Pruitt should get five years, even if he’s 6-6 in Year Three, as long as he’s showing progress.

But how does a 6-6 record in 2020 demonstrate progress?

Answer: It doesn’t.

Yet another said if Pruitt is 6-6 in Year Three with wins over Alabama, Georgia and Florida, that displays progress.

But if UT is good enough to beat those three and goes 6-6, how do you explain losing to Kentucky and/or Missouri and/or Vanderbilt and/or South Carolina?

I’ve heard several people say Pruitt’s record in his first season should be thrown out the window – that the key is establishing a culture.

Sorry, I don’t buy that either.

If Tennessee, which had far better talent than its 4-8 record last year, goes 4-8 again, then Pruitt and his staff haven’t done a very good job.

And I don’t think the Vol Nation will care about a culture change if UT goes 3-9.

The record matters. It always does.

The key is figuring out a record that is acceptable — and under what circumstances. We all know key injuries can derail a season.

This season, I’ve predicted Tennessee to go 6-6 and make a bowl game. But if the Vols are 5-7, that doesn’t necessarily mean Pruitt has done a poor job, unless five of the losses are by at least 30 points and UT averages 12 penalties a game.

This question keeps coming up: How much time should Pruitt get?

Three years.

By Year Three, we will have an indication if Pruitt is the right man for the job. And, yes, the record in three years matters.

If he’s 6-6 in 2020, he won’t be around for 2021.

He could survive 7-5, depending on how the team plays.

But here’s a thought: For all the Butch Jones bashers who support Pruitt, would you be upset if Pruitt doesn’t win nine games in his third year? Jones did.

It’s not always safe to put a won-loss record as a barometer for measuring success, but you can’t totally ignore it.

Remember, many didn’t think Jones was on the hot seat entering last season before he was fired at 4-7.

For Pruitt to succeed, he must do four things:

  1. Recruit/evaluate well.

Pruitt has rejected many of the top-rated players in the state of Tennessee and taken several three-star players from outside the state.

While I think it’s important to recruit well within your state’s footprint, it’s more important to recruit well, period. But if you’re going to say no to instate four-star players, you better be right.

You need to build good high school relations within a state that has improved dramatically in producing high-level prospects in recent years.

That’s why Pruitt’s evaluation at this stage is key.

2. Player development.

That’s probably the No. 1 reason Jones was fired. He had consistent top 15 classes but never a top 15 team. Many four and five star players never played to their ratings.

Was that the fault of Jones and his staff? Was it the fault of recruiting analysts, who overrated the talent?

We might soon find out.

If the higher rated players on the UT roster suddenly start playing at an All-SEC level – like Jonathan Kongbo, Drew Richmond, Nigel Warrior — we will know Pruitt and his staff can develop players.

3. Motivate players.

A coach can win a lot of games if he gets good players and gets them to play hard. He doesn’t have to be a brilliant Xs and Os guy.

Examples: Pat Dye, Les Miles.

Pruitt called out some players for flat-out quitting during the UT spring game.

He won’t tolerate anything but maximum effort.

That’s a start in establishing your culture. And motivating players.

4. Game management.

You can expect a few hiccups in Pruitt’s first year. If he doesn’t have any, that would be rare.

Mark Richt had some issues his first year at Georgia. So did Kirby Smart.

Things weren’t always smooth the first season for Mark Stoops at Kentucky or Derek Mason at Vanderbilt or – going back a few decades – Frank Beamer at Virginia Tech.

But Pruitt might be a natural at it.

I know this: If Pruitt recruits well, gets players to play hard, develops talent and manages a game well, he will win at Tennessee.

And it might be obvious before Year Three.


Sponsored by Big Kahuna Wings: The wings that changed it all

Watch 14-Year-Old Tegan Marie “Play It Forward” by Covering LeAnn Rimes’ “Blue”

Watch 14-Year-Old Tegan Marie “Play It Forward” by Covering LeAnn Rimes’ “Blue”

Tegan Marie stopped by the Nash campus last week to chat with Elaina Smith on her Women Want to Hear Women podcast (you can listen to the entire podcast here).

One of the podcast’s segments—“Play It Forward”—beckons the featured artist to perform a song from another female’s catalog.

For her Play It Forward, 14-year-old Tegan covered LeAnn Rimes’ “Blue,” a tune LeAnn released as her debut single in 1996 when she was 13 years old.

Watch Tegan perform “Blue” below.

Jason Aldean Is Selling His 120-Acre Estate Outside of Nashville for $7.8 Million [Check It Out]

Jason Aldean Is Selling His 120-Acre Estate Outside of Nashville for $7.8 Million [Check It Out]

Jason Aldean is selling his 120-acre estate in Columbia, Tenn., (45 miles south of Nashville) for $7,875,000.

The 8,900-square-foot house in Talley Moore Estate features 6 bedrooms, 8.5 bathrooms, bowling alley, wet bar, wine cellar, in-law quarters and more. The estate also features a 10,000-square-foot horse facility, paddocks, in-ground pool and covered patio with thousands of feet along Flat Creek that is surrounded by a mix of woods, pasture, springs and a pond.

Jason purchased the estate in January 2016 for $5.35 million.

Check out the video of Jason’s pad via RealtyPictures.com.

photo by Tammie Arroyo, AFF-USA.com

Watch Dan + Shay Strip It Down With Acoustic “Tequila” Video

Watch Dan + Shay Strip It Down With Acoustic “Tequila” Video

Dan Smyers and Shay Mooney of Dan + Shay recorded a stripped-down version of their recent No. 1 single, “Tequila,” for a Vevo Original Live Performance, which showcases re-imagined cuts from an artist’s catalog.

“Tequila” became Dan + Shay’s fourth No. 1 single when it reached the top of the Billboard Country Airplay chart in July, following previous chart-toppers “Nothin’ Like You,” “From the Ground Up” and “How Not To.”

The reflective ballad was co-penned by Dan, Jordan Reynolds and Nicolle Galyon.

Check out Dan + Shay’s performance below.

photo and video courtesy of Vevo

Kenny Chesney: “If You Sit in Negativity Long Enough, You’ll Become It”

Kenny Chesney: “If You Sit in Negativity Long Enough, You’ll Become It”

After Hurricane Irma devastated the Caribbean in September 2017, Kenny Chesney mobilized into action by creating the Love for Love City Foundation, a non-profit that has delivered water, food, medical supplies, tools, building materials and more to the U.S. and British Virgin Islands.

Irma’s destruction also became the catalyst for Kenny’s new album, Songs for the Saints, which dropped on July 27 and has already spawned No. 1 hit, “Get Along.”

“I’ve always felt like if you sit in negativity long enough, you’ll become it,” said Kenny to Kix Brooks of American Country Countdown. “And, I heard ‘Get Along’ and I went, ‘Wow,’ I mean, I needed to hear that in my own life as a person. It’s about moving forward—yes, it’s about getting along with everybody, but it’s also about moving forward in your life and maybe when you didn’t feel like you had the strength to, you know? ’Cause people get stuck. I get stuck, and that’s a big thread also of what’s happening down on the islands because people are being forced to move forward and change—some are displaced, some are whatever, but look, there’s a lot of rebuilding and people moving forward and they’ve probably, maybe found some strength within them that they didn’t know even existed and that’s why I felt ‘Get Along’ was important and fit on this record.”

All proceeds from the new album will go to the Love for Love City Foundation.

Songs for the Saints

  1. “Songs for the Saints”
  2. “Every Heart”
  3. “Get Along”
  4. “Pirate Song”
  5. “Love for Love City” (with Ziggy Marley)
  6. “Ends Of The Earth”
  7. “Gulf Moon”
  8. “Island Rain”
  9. “Trying To Reason With Hurricane Season” (with Jimmy Buffett)
  10. “We’re All Here”
  11. “Better Boat” (featuring Mindy Smith)

photo by AFF-USA.com

Florida Georgia Line & Bebe Rexha’s “Meant to Be” Sets All-Time Billboard Chart Record

Florida Georgia Line & Bebe Rexha’s “Meant to Be” Sets All-Time Billboard Chart Record

Tyler Hubbard and Brian Kelley of Florida Georgia Line and Bebe Rexha are the kings and queen of the Billboard Hot Country Songs chart.

FGL and Bebe’s smash hit, “Meant to Be,” is No. 1 on the Billboard Hot Country Songs chart for the 35th week, breaking the tie of 34 weeks it shared with Sam Hunt’s “Body Like a Back Road.” The 59-year-old Billboard Hot Country Songs chart blends streaming, airplay and sales data.

FGL’s “Cruise” owned the record before Sam’s “Body Like a Back Road” broke it in 2017.

“Meant to Be” was co-penned by Bebe Rexha, Josh Miller, David Garcia and FGL’s Tyler Hubbard.

“From day one, this song was just meant to be,” says Tyler. “Bebe jumped in on a canceled writing session last minute and now it’s going down in history.”

Billboard’s Hot Country Songs Chart All-Time Record

1. “Meant to Be” – Florida Georgia Line and Bebe Rexha – 35 weeks (2018)
2. “Body Like a Back Road” – Sam Hunt — 34 weeks (2017)

3. “Cruise” – Florida Georgia Line – 24 weeks (2012)
4. “Walk On By” – Leroy Van Dyke – 19 weeks (1961)
5. “H.O.L.Y.” – Florida Georgia Line – 18 weeks (2016)
6. “Die a Happy Man” – Thomas Rhett 17 weeks – (2015)
7. “Love’s Gonna Live Here” – Buck Owens – 16 weeks (1963)

photo by Tammie Arroyo, AFF-USA.com

“CMA Fest” TV Special to Air on Aug. 8 With Co-Hosts Thomas Rhett & Kelsea Ballerini + 29 Artists Perform

“CMA Fest” TV Special to Air on Aug. 8 With Co-Hosts Thomas Rhett & Kelsea Ballerini + 29 Artists Perform

If you weren’t lucky enough to be one of the thousands of fans that descended on Nashville during each day of CMA Fest in June, Thomas Rhett and Kelsea Ballerini have you covered.

Kelsea and TR will co-host an upcoming three-hour television special on ABC that features 2018 CMA Fest performances from a bevy of artists, including Jason Aldean, Kelsea Ballerini, Dierks Bentley, Brothers Osborne, Kane Brown, Luke Bryan, Luke Combs, Dan + Shay, Brett Eldredge, Florida Georgia Line, Sam Hunt, Dustin Lynch, Midland, Old Dominion, Jake Owen, Jon Pardi, Carly Pearce, Thomas Rhett, Darius Rucker, Blake Shelton, Chris Stapleton, Cole Swindell, Carrie Underwood, Keith Urban and Brett Young.

Special guest collaborations include Lauren Alaina joining Kane Brown, Julia Michaels joining Keith Urban, Morgan Wallen joining Florida Georgia Line, and Dwight Yoakam joining Dierks Bentley.

Tune in to ABC on Aug. 8 at 7 p.m. CT to catch the 15th annual prime-time broadcast.

photo by Tammie Arroyo, AFF-USA.com

Jake Owen Scores 7th No. 1 Single With “I Was Jack (You Were Diane)”

Jake Owen Scores 7th No. 1 Single With “I Was Jack (You Were Diane)”

Jake Owen scored the seventh No. 1 single of his career as “I Was Jack (You Were Diane)” reached the top of both the Billboard Country Airplay chart and Mediabase chart this week.

Jake acknowledged the accomplishment in a new Instagram post, saying, in part, “From the fans, to radio, to my record label friends and family . . . to my band and crew and management . . . the super talented songwriters that have graciously given me great songs through the years, and oh yeah . . . and my bus driver Mike, who drives me all over this country . . . THANK YOU!”

12 years ago, this week,…I was 24 years old and my first album came out. It was called “Startin’ With Me.” I had no idea what was in store for me, but I was excited to just hop on this train of “life” and see where it led me. Of course I had dreams, goals, aspirations… but a man can only do so much on his own. In those 12 years, I’ve been fortunate enough to work with some unbelievably talented people that worked tirelessly to help mold and guide my career. From the fans, to radio, to my record label friends and family,.. to my band and crew and management… the super talented songwriters that have graciously given me great songs through the years, and oh yeah.. and my bus driver Mike, who drives me all over this country… THANK YOU!! I can’t express that enough. 12 years later, on this beautiful Sunday morning, I have the #1 song on Country Radio. It’s my 7th. Lucky number 7. Thank you @johnmellencamp for trusting us and allowing us to pay our respects to you and everything you’ve done to pave the way for so many of us in the music industry. I feel like I’m just getting started. I have a lot more left in my tank. Thanks to every one of you who’ve reached out to me and said congratulations. What a ride it’s been. I love ya. @bigloud @williammurraygolf 📸: @matthewpaskert

A post shared by Jake Owen (@jakeowenofficial) on

Both melodically and lyrically, Jake’s new single is rooted in John Mellencamp’s iconic 1982 hit, “Jack & Diane.” In fact, Mellencamp received a songwriting credit on Jake’s “I Was Jack (You Were Diane), along with songwriters Tommy Cecil, David Ray, Jody Stevens and Craig Wiseman.”

“When I heard the song, I thought to myself, ‘I’m glad I didn’t write this,’ because the legalities behind using a song that is that iconic,” says Jake to Kix Brooks of American Country Countdown. “[The songwriters] sent it to [Mellencamp] and his manager, and they actually got back to us saying that as many times as they’ve heard people try to take that song and do something with it, John’s never been for it. Ever. And, they said that. He gave us his blessing to use it. And, they actually licensed us some of his content to use for our video that we’re making, so it feels good to know that he kind of gave his stamp of approval. I mean, that was a big kind of chance for me—thinking about doing this song—because of the folks out there that are gonna be like, ‘How are you gonna take a classic song like this and redo something that’s already great?’ You know? And, really for us, it was more about paying homage to that song while still making it relevant in today’s world.”

The tune is Jake’s first No. 1 single since 2016’s “American Country Love Song.”

photo by JPA / AFF-USA.com

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