Watch Lee Brice Perform New Single, “Boy,” During “Fox & Friends” Summer Concert Series

Watch Lee Brice Perform New Single, “Boy,” During “Fox & Friends” Summer Concert Series

Lee Brice was up early this morning (June 30) for a performance on Fox & Friends’ All-American Summer Concert series.

In addition to treating fans to tunes from his past catalog, including No. 1 hit, “I Don’t Dance,” Lee performed his new single, “Boy,” which is currently No. 48 on the Billboard Country Airplay chart after two weeks.

Co-written by Nicolle Galyon and Jon Nite, the nostalgic tune serves as the lead single from Lee’s upcoming self-titled album and celebrates the many “firsts” in a boy’s life, including first fight, first kiss, first heartbreak and more.

“I heard this song and it just put me on the ground the first time I heard it,” says Lee. “I have a personal connection to it because I’ve got two boys. This song is a tribute to them. It’s my way of saying how proud I am to be their dad. It’s kind of ironic, we’re putting out ‘Boy’ [after the birth of Trulee Nanette]. I figured this is a good time to go ahead and get this one out so she’s not jealous, and I guess I’ll have to write a girl song later.”

Watch Lee’s performance below.

Alan Jackson’s Favorite Fourth of July Memory? Family + Boat + NYC + Statue of Liberty + Fireworks

Alan Jackson’s Favorite Fourth of July Memory? Family + Boat + NYC + Statue of Liberty + Fireworks

Alan Jackson had a Fourth of July experience a few years ago that’s hard to top, and it involved taking his wife and three daughters on a trip up the East Coast on an antique motor yacht. Alan and his family stopped in New York City and were treated to a fireworks show in front of the Statue of Liberty.

The 2017 Country Music Hall of Fame inductee recently shared his recollection of the memorable experience.

“Well, this one is hard to beat,” says Alan. “A couple of years ago, maybe longer than that now, I had an old boat in Florida. It’s like an old antique motor yacht, and it was kind of a cool old boat. I’ve always wanted to take it up north like to New York and up in that area, up in the Northeast where it’s so pretty. So, we took the boat up there—Denise and the girls, we all went up. They like going to New York City, which I don’t really care about going to the city. So, I got to stay in my boat there at the harbor, tied up, which was cool anyway. So they spent time in the city a few days and then that was Fourth of July, and we went out in the Hudson River that night and they shot the fireworks off and we were anchored out in front of the Statue of Liberty and New York City was behind us, and the Statue of Liberty and the fireworks were going off [while we were] sitting on that boat. That was the coolest thing and my girls still talk about that. I mean, that was the coolest thing on Fourth of July I can ever remember. I can’t top that one probably. It was emotional sitting there watching the Statue of Liberty and thinking about all that. It was very cool.”

From Happiness to Heartbreak, Kelsea Ballerini’s New “Legends” Video Covers a Range of Emotions [Watch]

From Happiness to Heartbreak, Kelsea Ballerini’s New “Legends” Video Covers a Range of Emotions [Watch]

Kelsea Ballerini’s new video for her current single, “Legends,” is an emotional roller coaster full of twists and turns.

The new clip opens at the scene of a car crash, before flashbacks show a couple as they get married and raise a family. A tragic twist ensues (the car crash), but the video ends on an optimistic note. Throughout the video, there are interspersed clips of Kelsea performing the song against the backdrop of the Pacific Ocean and Big Sur, Calif.

Co-penned by Kelsea, Glen Whitehead and Hillary Lindsey, “Legends” is the first single from Kelsea’s upcoming sophomore album. The video was directed by Jeff Venable.

“’Legends’ is one of the first songs I wrote for the record and every time I’ve listened to it, I find a different meaning,” says Kelsea. “It brings me back to the heartbreak I wrote it from, it makes me think of my fans and the journey we’ve shared, and now I sing it from the perspective of a legendary love story. I hope everyone hears something in it that brings them to a place of nostalgia and is as excited as I am to begin this next chapter together.”

Watch Kelsea’s new video below.

Jimmy’s blog: Injuries had impact on UT defense, but how much?

By Jimmy Hyams

No one would argue that a plethora of injuries had a negative impact on Tennessee’s defense last year.

The question is: How big of an impact?

Are injuries the lone reason Tennessee’s defense allowed 36.8 points per game in SEC play? Or 740 yards to Missouri? Or 37 plays of 30 or more yards?

Probably not.

Tennessee had seven defenders who started at least nine games: Todd Kelly Jr., Micah Abernathy, Rashaan Gaulden, Emmanuel Moseley, Kendal Vickers, Derek Barnett and Corey Vereen.

Four others started at least seven games: Darrin Kirkland Jr., Cam Sutton, Colton Jumper, Malik Foreman.

By the same token, the secondary used 11 different combinations in 13 games (although some changes were due to poor play, not injuries) and the defensive tackle spot was decimated by injuries (Shy Tuttle, Kahlil McKenzie), and a suspension (Danny O’Brien).

“Injuries took their toll,’’ said Tennessee defensive coordinator Bob Shoop, “and at the end of the year, we certainly didn’t play consistently enough to our style of play.’’

Shoop was asked if injuries hit the team hardest physically, mentally or from a leadership standpoint.

“All of the above, probably,’’ Shoop said.

Two of three defensive players drafted from Tennessee missed significant playing time: cornerback Cam Sutton (he missed six games) and linebacker Jalen Reeves-Maybin (who missed eight; he was ejected from one and was hurt in another).

Shoop said injuries led to a lack of “continuity,’’ and that “from one week to the next, you weren’t 100 percent sure who was playing.’’

By the end of the season, Shoop said, the defense was gassed. He pointed to a 49-36 win over Kentucky and a 63-37 victory over Missouri (in which the defense played 110 snaps).

“I thought those two games took everything we had out of us,’’ Shoop said.

But the game that bothered Shoop the most was the 45-34 loss to instate rival Vanderbilt, Shoop’s former team. Tennessee led 21-7 before collapsing. The defense allowed Vandy quarterback Kyle Shurmur, who was averaging 166 passing yards per game, to throw for 416.

“The game that I would want back would be the Vanderbilt game,’’ Shoop said. “I thought from the middle of the second quarter to end of the game, it looked like we were playing with ankle weights on. That’s really the one game I knew we’d run out of gas. We looked bad and it wasn’t our style of play. I was discouraged after that game. I think we all were.’’

Discouraged because it cost Tennessee its first trip to the Sugar Bowl since 1990.

Discouraged because you lost to a Vanderbilt team that was below .500 at kickoff.

Discouraged because you couldn’t slow down a Vandy offense that had scored six points against Florida, seven against Georgia Tech, 10 against South Carolina, 13 against Kentucky and 17 against Missouri.

To support Shoop’s supposition about the defense being tired, after the Vols took off 10 days before bowl practice, the unit came back refreshed.

“This isn’t the same team,’’ Shoop said of the pre-bowl practices. “You could see when we were practicing for Nebraska, we were practicing better, we were fresher, we looked like a big-league defense again. I really didn’t have much doubt in my head we’d go out and play pretty good against Nebraska.’’

Tennessee won 38-24, holding Nebraska to 318 total yards, 61 rushing yards (42 on one run) and 2.2 yards per run (compared to 5.1 during the regular season).

Shoop said the defense wasn’t a total disaster: “We played well enough to win nine games, so we did something right.’’

But he was alarmed at the big plays surrendered. UT allowed five plays of 70 or more yards, four of them on runs. Shoop called those “catastrophic’’ plays.

“We’ve got to minimize those plays,’’ Shoop said. “We’ve got to run to the ball better, we’ve got to beat blocks, we’ve got to tackle better and we’ve got to play better fundamental football.

“I don’t think it was any Xs or Os or schemes. … No defense can statistically overcome 60 and 70 yard runs. It’s hard to do.’’


Big Kahuna Wings: The wings that changed it all

 

Watch Hunter Hayes Use the Power of Music for Good in Charitable New “Rescue” Video

Watch Hunter Hayes Use the Power of Music for Good in Charitable New “Rescue” Video

Hunter Hayes is playing by his own set of rules . . . and he sounds like he’s enjoying the game.

Following the unconventional release of three new songs—sans an album—via a link on Twitter in 2016, Hunter Hayes has dropped his first new tune of 2017, “Rescue,” a guitar-driven track he co-wrote with busbee and Gordie Sampson. The new song, which is available on all digital platforms, also has an accompanying music video.

For the new clip, Hunter partnered with Zappos.com to create The Rescue Collection, a limited line of shoes that feature artwork inspired by the music video. The shoes will be available in December and all proceeds will be donated to charitable music- and pet-related initiatives through Zappos for Good.

“I’ve always loved what music and charity organizations can do together, and I think the tie-in with this song is undeniable,” said Hunter. “We’ve had the opportunity to work with so many awesome charities over the years and I realized that, to me, they are exactly that: rescues. They are places of refuge for so many people who need a friend to help them through something or to be there for them. We’ve seen the power of music in so many ways and I wanted ‘Rescue’ to be a song that we used for good.”

Watch Hunter’s new “Rescue” video below.

https://www.youtube.com/watch?v=04xVn1KrFcM&feature=youtu.be

photo by Brenton Giesey

Watch Behind-the-Scenes Footage of Trace Adkins & Kris Kristofferson in New “Hickok” Movie

Watch Behind-the-Scenes Footage of Trace Adkins & Kris Kristofferson in New “Hickok” Movie

Trace Adkins and Kris Kristofferson will star alongside Luke Hemsworth and Bruce Dern in the upcoming Western, Hickok, which opens in theaters and on demand on July 7.

The new flick features Wild Bill Hickok (Hemsworth) in 1870s Abilene, Kan., where mayor George Knox (Kristofferson) recruits the gunslinger to be the town marshal. Hickok soon clashes with a band of outlaws led by saloon owner Phil Poe (Adkins) and enlists outlaw-turned-lawman John Wesley Hardin (Dern) to help him protect Abilene.

Directed by Timothy Woodward Jr., Hickok was filmed at the Melody Ranch, which is home to HBO’s Westworld.

Check out our behind-the-scenes clip of Trace and Kris in action, with commentary from director Timothy Woodward Jr.

Exclusive Premiere: Listen to Sara Evans Sing “Long Way Down” From New Album, “Words,” + Hear the Story Behind the Song Choice

Exclusive Premiere: Listen to Sara Evans Sing “Long Way Down” From New Album, “Words,” + Hear the Story Behind the Song Choice

After more than three years, Sara Evans has finally found the right Words.

Sara is gearing up for the release of her new album, Words, on July 21—her first studio album since 2014’s Slow Me Down. The new 14-song collection features 14 female songwriters, including Ashley Monroe, Caitlyn Smith, Hillary Lindsey, Hillary Scott, Liz Hengber and Sonya Isaacs.

In the lead-up to the album’s release, Sara is making Track 1—a “badass” cover of The SteelDrivers’ “Long Way Down”—available across all streaming platforms on June 30, but Nash Country Daily has the exclusive premiere of the song today. Check it out below.

“We were almost done tracking [the album], but we still were missing something,” says Sara in the accompanying video. That’s when Tracy Gershon, Sara’s A&R director, suggested “Long Way Down.”

“Because it’s very bluegrassy, very country, ‘Long Way Down’ wasn’t the type of song that we were feeling to begin the album process, but it just fit so perfectly,” adds Sara. “Now it’s just such a badass song that we decided to put it number one on the album.”

Words Track Listing and Songwriters

  1. “Long Way Down” (Tammy Rodgers / Liz Hengber / Jerry Salley)
  2. “Marquee Sign” (Sara Evans / Jimmy Robbins / Heather Morgan)
  3. “Diving in Deep” (Gordie Sampson / Hillary Lindsey / Steve McEwan)
  4. “All the Love You Left Me” (Ben West / Hillary Lindsey / Gordie Sampson)
  5. “Like the Way You Love Me” (Sara Evans / April Geesbreght / Jason Massey)
  6. “Rain and Fire” (Claude Kelley / Charles Harmon)
  7. “Night Light” (Daniel Tashian / Jaida Dreyer)
  8. “I Need a River” (Marcus Hummon / Darrell Scott / Sonya Isaacs)
  9. “I Don’t Trust Myself” (Caitlyn Smith / Gordie Sampson / Steve McEwan)
  10. “Make Room at the Bottom” (Ashley Monroe / Brett James)
  11. “Words” (David Hodges / Jake Scott / Jimmy Robbins)
  12. “I Want You” (Shane Stevens / Victoria Monet)
  13. “Letting You Go” (Sara Evans / Emily Shackelton / Victoria Banks)
  14. “A Little Bit Stronger” acoustic (Hillary Scott / Hillary Lindsey / Luke Laird)

main photo by Kristin Barlowe

Exclusive: Watch Lee Brice Perform “Hard to Love,” “I Drive Your Truck,” “Boy” & More at NASH Studio

Exclusive: Watch Lee Brice Perform “Hard to Love,” “I Drive Your Truck,” “Boy” & More at NASH Studio

Lee Brice stopped by NASH FM 94.7 studios in New York City for a live concert from Stage 17 that was sponsored by Wendy’s.

In addition to chatting with co-hosts Katie Neal and Jesse Addy, Lee treated the audience to an acoustic set that included No. 1 singles “Hard to Love,” “I Drive Your Truck” and “Drinking Class,” as well as his current single, “Boy.” Lee also performed a new song, “Rumor,” from his upcoming self-titled studio album—a song so new that he actually forgot the second verse before having a chuckle and regaining his composure.

Watch Lee in action below.

Academy of Country Music Announces Studio Recording Winners for 52nd ACM Awards [Complete List]

Academy of Country Music Announces Studio Recording Winners for 52nd ACM Awards [Complete List]

Today (June 29), the Academy of Country Music announced the winners of the Studio Recording Awards for the 52nd ACM Awards.

Voted on by the Academy’s professional members, the Studio Recording Awards honor the behind-the-scenes musicians, producers, engineers and industry professionals who contribute to the artistry, success and longevity of country music.

The Studio Recording winners will be recognized during the 11th annual ACM Honors, an evening dedicated to the special honorees and off-camera category winners from the 52nd ACM Awards. The 11th annual ACM Honors will take place on Wednesday, August 23, 2017, at the Ryman Auditorium in Nashville and will be broadcast at a later date on CBS.

Below is a complete list of the Studio Recording Award winners for the 52nd Academy of Country Music Awards.

  • Bass Player of the Year: Glenn Worf
  • Drummer of the Year: Miles McPherson
  • Guitar Player of the Year: Tom Bukovac & Danny Rader (tie)
  • Piano/Keyboards Player of the Year: Dave Cohen
  • Specialty Instrument Player of the Year: Dan Dugmore
  • Steel Guitar Player of the Year: Dan Dugmore
  • Audio Engineer of the Year: Chuck Ainlay
  • Producer of the Year: Jay Joyce

Jimmy’s blog: Scott says OL needs to be more physical

 

By Jimmy Hyams

On the surface, you would give Tennessee’s ground game an A for last season.

The Vols rushed for 2,668 yards, fifth most in school history. They averaged more than 205 rushing yards per game, ran for 31 touchdowns and averaged 5.1 yards per attempt.

But there were times when the run game wasn’t up to snuff. UT rushed for a mere 127 yards against Appalachian State and Georgia. The Vols got just 136 against South Carolina and struggled in the second half against Vanderbilt.

The ground game was non-existent against mighty Alabama: 32 yards on 32 carries.

Tennessee’s new offensive coordinator Larry Scott wants more consistent when running the ball.

“You always want to establish the run,’’ Scott said. “You want to run it with efficiency. Not necessarily big runs, but efficient enough to where you can stay in a flow and get a rhythm going with the offense.’’

To be more efficient running, does UT have to be more physical, more aggressive along the offensive line?

“Absolutely,’’ Scott said. “That’s where it all starts, make no bones about it, especially in this league.

“Everybody says it’s a line of scrimmage league, a little bit of scheme and a little bit of making sure you’re putting the kids in the right position to have success.

“But yes, absolutely, it starts up front with aggression and intensity and physicality.’’

Was that lacking last year?

“I thought at times it was definitely something that we needed a little bit more of, whether that was through emphasis or technique or fundamentals or different things like that. I thought that was something we could improve on.’’

Tennessee’s final 2016 stats showed a team with remarkable balance: 205.2 rush yards per game, 238.5 pass yards per game.

Without the production of quarterback Josh Dobbs, is that something the Vols can replicate?

“When you use the word replicate, I think there is no carbon copy,’’ Scott said.

Scott said what UT does on the ground or through the air could vary from week to week based on the opponent. But he said you must be efficient in both areas.

“You want to have some balance,’’ he said.

“I think we need efficient running and efficient passing. And I think the big word we keep saying is efficient in whatever we chose to do — as long as the chains are moving and we’re being consistent with that and we’re playing to our style of play.’’

Scott was asked if UT would run more snaps from under center rather than the shotgun.

“Probably a little bit more, being more balanced and those type of things with under center and in the gun,’’ Scott said.

In short-yardage situations, what is his philosophy about going under center or running from the shotgun?

“I think being able to have a balance of it all and being able to give defenses different looks and things like that is important,’’ Scott said. “I think any time you pigeon hole yourself or make yourself all of one thing, you become more predictable.’’


Big Kahuna Wings: The wings that changed it all

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