Get to Know Nash Next Finalist Alexis Gomez

Get to Know Nash Next Finalist Alexis Gomez

The Nash Next Challenge is down to its 10 finalists, and in the lead-up to the announcement of the champion on Oct. 25, NCD will be profiling each of the 10 finalists.

Today, we are getting to know finalist Alexis Gomez.

In July, Cumulus Media and Big Machine Label Group invited aspiring country artists and bands to participate in the Nash Next Challenge, an artist development competition where the winner will receive a recording contract with Big Machine Label Group and have an original song produced by Jay DeMarcus, which will garner national radio airplay on Cumulus Media radio stations across the U.S.

The winner of the Nash Next Challenge will be crowned on Tuesday, Oct. 25, at Mercy Lounge in Nashville by judges Kix Brooks of Brooks & Dunn, Jay DeMarcus of Rascal Flatts, Danielle Bradbery and Big Machine CEO Scott Borchetta. The event, which will also feature a performance from Trent Harmon, is open to the public from 7–10 p.m.


alexis1Alexis Gomez

Age: 24
Twitter: @thealexisgomez
Home City Market: Cincinnati, Ohio

How did you get started in music?

My dad was a musician. Growing up, he taught me to play guitar, piano, sing and I even wrote my first song with him. My dad, brother, sister and I played in a family band together growing up. My very first show was when I was 8 years old. I also started singing at my church when I was in elementary school.

At what age did you realize you wanted to make music your career?

One of the very first shows I remember was at a homeless shelter in my hometown of Dayton, Ohio. I sang a Martina McBride song, “Love’s the Only House.” I was so nervous. I got up there and messed up the words, it was terrible. I walked offstage so disappointed but at that same moment, a woman came up to me in tears and looked me in the eyes and thanked me for singing that song. She told me how bad she needed to hear those words in her life that morning. It was then that I realized the amazing power music can have on a person’s life, even when I don’t get it perfect—the words, the music and the stories speak through all of it. I feel that God gave me a gift and I want to work hard at it and use it to touch as many people as I can.

Who are your musical influences?

My influences come from all over country music over the decades. My dad turned me on to people like Merle Haggard, Johnny Cash and Garth Brooks. As I got older I really fell in love with Martina McBride, Taylor Swift, Miranda Lambert and The Band Perry. As I look back through the music I have written over the years, it’s so cool to hear the changes in my style as my influences started to grow and evolve.

What three words describe you?

Goofy, passionate, adventurous.

What would you say is unique about your sound?

Most people can’t tell by looking at me, but I am part Mexican and I would love to be a country artist that can help bridge the gap into the Latino community. I put my own Hispanic twist on some of my originals and even some of the covers that I perform.

What three albums would you take to a deserted island?

Martina McBride’s Greatest Hits, Taylor Swift’s Fearless and Hillsong United’s Zion.

What’s a song you wish you had written?

“Oceans” by Hillsong United. The song has such a cool message and has touched and changed so many lives across the world. I can only dream of writing something so powerful.

What was the first concert you ever attended?

My first country concert was Taylor Swift and Keith Urban.

What’s the last song you heard that blew you away?

Chris Stapleton and Justin Timberlake singing “Tennessee Whiskey” at the CMAs in 2015.

What’s your go-to karaoke song?

“Before He Cheats” by Carrie Underwood.

Where is the craziest place you’ve performed?

In the parking lot of a barbecue restaurant on a bicycle trail.

What’s the first thing you do after a show?

I love to go straight to my merchandise table and meet the fans and people in the audience. I want them to know how much I love getting to know them and want them to always have the chance to get to know me after a show.

What’s been your most exciting or unusual fan encounter?

I did a meet and greet in my hometown at our famous local donut shop, Bill’s Donuts, and I met this little girl who had written to me on Facebook for months and sent me videos with her mom. We finally got to meet and I signed her mini guitar. It was one of the best moments ever. My most unusual fan encounter was when a man told me that God told him we were meant to get married [laughing].

What’s your favorite song to cover?

“Little Red Wagon” by Miranda Lambert.

What’s the most embarrassing thing you’ve done onstage?

My super cute, hippie skirt came untied while I was performing, and I didn’t even notice until the last song of the show [laughing]. Thank goodness my daddy always told me to wear spanx.

 

Kane Brown to Release Self-Titled Debut Album Dec. 2; Reveals Track Listing

Kane Brown to Release Self-Titled Debut Album Dec. 2; Reveals Track Listing

Kane Brown announced today (Oct. 19) that he will be releasing his self-titled debut album on Dec. 2—just in time to pick it up for Christmas.

Kane, who got his start posting videos of cover and original songs on Facebook and YouTube, found success the non-traditional way. Amassing a fan base of more than 2 million followers, the Georgia native released his EP, Chapter 1, in March 2016, where it debuted at No. 3 on the Billboard Country Album chart. He is currently enjoying the success of his latest single, “Thunder in the Rain,” which rocketed to the No. 1 spot on the iTunes Country chart thanks to his passionate fan base.

Kane co-penned seven tracks on his new album, which also features cuts penned by Chris Young and Florida Georgia Line’s Tyler Hubbard and Brian Kelley. Kane is currently on the road as part of Florida Georgia Line’s 2016 Dig Your Roots Tour and will be headlining his own Ain’t No Stopping Us Now Tour with Monster Energy Outbreak this fall.

“It’s like a big family out there. We all hang out and have fun,” Kane told Nash Country Daily. “I did get a song from [Tyler and Brian] that they wrote out there on the road called ‘Hometown,’ which I’m super excited about. It might be my next released song, maybe.”

You can pre-order Kane’s album starting on Friday, Oct. 21, to receive the instant-grat track “Hometown.”

image001Kane Brown – Full Track Listing with Songwriters:

1.       “Hometown”  (Tyler Hubbard/Brian Kelley/James McNair/Cameron Montgomery)

2.      “What Ifs” (Kane Brown/Matthew McGinn/Jordan Schmidt)

3.      “Learning” (Kane Brown/Sam Ellis/Blake Anthony Carter)

4.      “Thunder In The Rain” (Kane Brown/Josh Hoge/Matthew McVaney)

5.      “Pull It Off” (Adam Doleac/Taylor Phillips/Matt Roy)

6.      “Cold Spot”  (Kane Brown/Tom Douglas/Allen Shamblin)

7.      “Ain’t No Stopping Us Now” (Kane Brown/Jamie Paulin/Jordan Schmidt)

8.      “Comeback” (Mark Fuhrer/Josh Hoge/Matthew McVaney/Chris Young)

9.      “Rockstars” (Brock Berryhill/Tommy Cecil/Morgan Wallen)

10.    “Better Place” (Kane Brown/Chase McGill/Will Weatherly)

11.    “Granddaddy’s Chair” (Kane Brown/Blair Daly/ Josh Johnson/Troy Verges)

Vote Now: Who Should Win the CMA Vocal Group of the Year Award

Vote Now: Who Should Win the CMA Vocal Group of the Year Award

In the lead-up to the CMA Awards on Nov. 2, Nash Country Daily will be conducting its own election to let you—the readers—decide who should win each of the 12 categories at this year’s show. We’re taking politics out of the equation and letting the popular vote speak for itself.

The good news is there is no voter registration. The bad news is we aren’t giving out any trophies. It’s just for bragging rights.

Every two or three days, we will provide a new ballot for one of the 12 categories and allow fans to vote until the next category is announced. Along the way, we’ll post our winners.

Vocal Group of the Year: Oct. 19

(If you’re having trouble viewing the poll, click here to vote.)

Come back soon to participate in our next poll!

 

Entertainer of the Year: Oct. 10 – WINNER Carrie Underwood

  1. Carrie Underwood: 34%
  2. Keith Urban: 32%
  3. Luke Bryan: 19%
  4. Garth Brooks: 9%
  5. Chris Stapleton: 6%

Female Vocalist of the Year: Oct. 12 – WINNER Carrie Underwood

  1. Carrie Underwood: 58%
  2. Miranda Lambert: 24%
  3. Kelsea Ballerini: 8%
  4. Maren Morris: 5%
  5. Kacey Musgraves: 5%

Male Vocalist of the Year: Oct. 14 – WINNER Keith Urban

  1. Keith Urban: 40%
  2. Eric Church: 20%
  3. Tim McGraw: 17%
  4. Dierks Bentley: 14%
  5. Chris Stapleton: 9%

Album of the Year: Oct. 17 – WINNER Storyteller – Carrie Underwood

  1. Storyteller – Carrie Underwood 41%
  2. Ripcord – Keith Urban 27%
  3. Mr. Misunderstood – Eric Church 18%
  4. Black – Dierks Bentley 10%
  5. Hero – Maren Morris 4%

Vocal Duo of the Year: Oct. 21

  • Brothers Osborne
  • Dan + Shay
  • Florida Georgia Line
  • Joey + Rory
  • Maddie & Tae

New Artist of the Year: Oct. 24

  • Kelsea Ballerini
  • Brothers Osborne
  • Maren Morris
  • Old Dominion
  • Cole Swindell

Song of the Year (Awarded to Songwriters): Oct. 26

  • “Burning House” – Cam, Tyler Johnson, Jeff Bhasker
  • “Die a Happy Man” – Sean Douglas, Thomas Rhett, Joe Spargur
  • “Humble and Kind” – Lori McKenna
  • “Record Year” – Eric Church, Jeff Hyde
  • “My Church” – busbee, Maren Morris

Single of the Year: Oct. 28

  • “Die a Happy Man” – Thomas Rhett
  • “Humble and Kind” – Tim McGraw
  • “My Church” – Maren Morris
  • “Nobody to Blame” – Chris Stapleton
  • “Record Year” – Eric Church

Musical Event of the Year: Oct. 28

  • “Different for Girls” – Dierks Bentley feat. Elle King
  • “Home Alone Tonight” – Luke Bryan feat. Karen Fairchild
  • “The Fighter” – Keith Urban feat. Carrie Underwood)
  • “Think of You” – Chris Young with Cassadee Pope
  • “You Are My Sunshine” – Morgane Stapleton with Chris Stapleton

Video of the Year: Oct. 31

  • “Burning House” – Cam, directed by Trey Fanjoy
  • “Fire Away” – Chris Stapleton, directed by Tim Mattia
  • “Humble and Kind” – Tim McGraw, directed by Wes Edwards
  • “Record Year” – Eric Church, directed by Jon Peets and Reid Long
  • “Somewhere on a Beach” – Dierks Bentley, directed by Wes Edwards

Musician of the Year: Oct. 31

  • Jerry Douglas – Dobro/Lap Steel Guitar
  • Paul Franklin – Steel Guitar
  • Dan Huff – Guitar
  • Brent Mason – Guitar
  • Derek Wells – Guitar

Hosted by Brad Paisley and Carrie Underwood, The 50th annual CMA Awards will air live from Nashville’s Bridgestone Arena on Wednesday, Nov. 2, at 7 p.m. CT on ABC.

Lady Antebellum by Jason Simanek; Rascal Flatts by Todd Owyoung/The Greenroom PR; Little Big Town by Jason Simanek; Old Dominion by Michael Elins/EB Media; Zac Brown Band by Danny Clinch/Shore Fire Media;

Billy Currington on His 11th No. 1 Single: “This Is What You Dream of as an Artist.”

Billy Currington on His 11th No. 1 Single: “This Is What You Dream of as an Artist.”

After 10 No. 1 hits, you would think that Billy Currington would be used to getting to the top of the country charts. But according to the “It Don’t Hurt Like It Used To” singer, the 11th time is just as sweet.

“It’s been a great past couple weeks,” Billy told Nash Country Daily from his tour bus during a stop in San Antonio, Texas. “This is what you dream of as an artist. You can only imagine how the whole team feels. They all feel the same. All number ones are very, very special. It just seems to only get better. It’s just something that’s part of the dream, and then when it happens you just sit back in amazement like, ‘Wow!’

Billy scored his 11th No. 1 single with “It Don’t Hurt Like it Used To,” which stayed in the top spot for two consecutive weeks on Billboard’s Country Airplay chart. Only five other country songs have accomplished that feat this year: Thomas Rhett’s “Die a Happy Man,” Luke Bryan’s “Home Alone Tonight” featuring Karen Fairchild, Cole Swindell’s “You Should Be Here,” Dierks Bentley’s “Somewhere on a Beach” and Keith Urban’s “Wasted Time.”

Co-penned by Billy, Shy Carter and Cary Barlowe, “It Don’t Hurt Like It Used To” wasn’t something that Billy had set out to write.

“It wasn’t planned to meet up and do anything like that. That’s where I really come to appreciate the song myself because I don’t know where it all came from,” Billy recalls. “We all looked at each other, and within two hours, the song was done. It happened, and all the words fell out—just like you hear. Nothing was thought about like, ‘Maybe we should change this line?’ None of those things happened. It was just out of the sky.”

Photo by Rob Kim/Getty Images
Photo by Rob Kim/Getty Images

Months later, with the song far from his mind, Billy’s album was near completion but he had too many songs collected. He wasn’t looking for more, in fact, he was in the process of eliminating some. It was then that his manager reminded Billy of the song he wrote Shy and Cary earlier in the year.

“I just laughed, thinking, ‘Man, that thing probably ain’t no good,'” Billy added. “‘What’s it sound like?’ He said, ‘I’m gonna send you a copy of it. You need to take a listen to this.’ He sent me a copy and that was the first time I had heard the demo that we did from that night. “It just put a big smile on my face and I was like, ‘I remember that.’ I remembered that feeling. It made me feel so good. I remembered how much fun I had writing it. It was a no-brainer. I called him back and said, ‘You’re right, man. It has something, it feels passionate, and I would love to record this song.’ That’s what we did.

“Life, you never know,” said Billy. “As an artist—songs that you’re really connected with—they seem to find their way back to you, and I’m sure glad that this one did.”

The Georgia native has seen a lot of success over his career and is no stranger to sitting on a multi-week No. 1 hit. “Must Be Doing Something Right” and “People Are Crazy” both sat at No. 1 for two consecutive weeks and “Good Directions” held the top spot for three weeks. The success has allowed Billy to choose a lifestyle that fits his laid back manner and make him a better person.

“I definitely think the things that I’ve done have created more happiness—allowed me to be more creative in music and better at business all the way around. It’s also allowed me to spend more time with family and friends and just be at peace, to be more successful. That’s not speaking monetarily. Just be more successful in all aspects of my life, whether it’s the music —writing it or recording it or working with people in the business, whatever—trying to get better, definitely this whole thing that’s happened over time made it all better for me.”

Billy is currently keeping summer going on his Summer Forever Tour, which will wrap in the coming weeks. The last date is in Maui on Nov. 19, where the avid surfer can hit the waves before planning his next tour and begin working on his new album.

Billy Currington on His 11th No. 1 Single: “This Is What You Dream of as an Artist”

Billy Currington on His 11th No. 1 Single: “This Is What You Dream of as an Artist”

After 10 No. 1 hits, you would think that Billy Currington would be used to getting to the top of the country charts. But according to the “It Don’t Hurt Like It Used To” singer, the 11th time is just as sweet.

“It’s been a great past couple weeks,” Billy told Nash Country Daily from his tour bus during a stop in San Antonio, Texas. “This is what you dream of as an artist. You can only imagine how the whole team feels. They all feel the same. All number ones are very, very special. It just seems to only get better. It’s just something that’s part of the dream, and then when it happens you just sit back in amazement like, ‘Wow!’

Billy scored his 11th No. 1 single with “It Don’t Hurt Like it Used To,” which stayed in the top spot for two consecutive weeks on Billboard’s Country Airplay chart. Only five other country songs have accomplished that feat this year: Thomas Rhett’s “Die a Happy Man,” Luke Bryan’s “Home Alone Tonight” featuring Karen Fairchild, Cole Swindell’s “You Should Be Here,” Dierks Bentley’s “Somewhere on a Beach” and Keith Urban’s “Wasted Time.”

Co-penned by Billy, Shy Carter and Cary Barlowe, “It Don’t Hurt Like It Used To” wasn’t something that Billy had set out to write.

“It wasn’t planned to meet up and do anything like that. That’s where I really come to appreciate the song myself because I don’t know where it all came from,” Billy recalls. “We all looked at each other, and within two hours, the song was done. It happened, and all the words fell out—just like you hear. Nothing was thought about like, ‘Maybe we should change this line?’ None of those things happened. It was just out of the sky.”

Photo by Rob Kim/Getty Images
Photo by Rob Kim/Getty Images

Months later, with the song far from his mind, Billy’s album was near completion but he had too many songs collected. He wasn’t looking for more, in fact, he was in the process of eliminating some. It was then that his manager reminded Billy of the song he wrote Shy and Cary earlier in the year.

“I just laughed, thinking, ‘Man, that thing probably ain’t no good,'” Billy said. “‘What’s it sound like?’ He said, ‘I’m gonna send you a copy of it. You need to take a listen to this.’ He sent me a copy and that was the first time I had heard the demo that we did from that night. It just put a big smile on my face and I was like, ‘I remember that.’ I remembered that feeling. It made me feel so good. I remembered how much fun I had writing it. It was a no-brainer. I called him back and said, ‘You’re right, man. It has something, it feels passionate, and I would love to record this song.’ That’s what we did.

“Life, you never know,” added Billy. “As an artist—songs that you’re really connected with—they seem to find their way back to you, and I’m sure glad that this one did.”

The Georgia native has seen a lot of success over his career and is no stranger to sitting on a multi-week No. 1 hit. “Must Be Doing Something Right” and “People Are Crazy” both sat at No. 1 for two consecutive weeks and “Good Directions” held the top spot for three weeks. The success has allowed Billy to choose a lifestyle that fits his laid back manner and make him a better person.

“I definitely think the things that I’ve done have created more happiness—allowed me to be more creative in music and better at business all the way around. It’s also allowed me to spend more time with family and friends and just be at peace, to be more successful. That’s not speaking monetarily. Just be more successful in all aspects of my life, whether it’s the music —writing it or recording it or working with people in the business, whatever—trying to get better, definitely this whole thing that’s happened over time made it all better for me.”

Billy is currently keeping summer going on his Summer Forever Tour, which will wrap in the coming weeks. The last date is in Maui on Nov. 19, where the avid surfer can hit the waves before planning his next tour and begin working on his new album.

Watch Dolly Parton Perform “Dumb Blonde” at the Hall of Fame Medallion Ceremony

Watch Dolly Parton Perform “Dumb Blonde” at the Hall of Fame Medallion Ceremony

On Sunday night (Oct. 16) the Country Music Hall of Fame and Museum held its annual Medallion Ceremony to induct new HOF members Charlie Daniels, Randy Travis and songwriter/producer Fred Foster, who also founded Monument Records.

Monument Records also happens to be the company that published Dolly Parton’s 1967 debut album, Hello, I’m Dolly, and her first country single, “Dumb Blonde,” which became a Top 20 hit. Fred, who produced Hello, I’m Dolly, spoke very highly of Dolly in the album’s liner notes: “Sometimes you just know and that makes up for all the times you had to guess.”

Before beginning her performance, Dolly said the following:

“If anybody deserves [a medallion], Fred, you do. You really gave me a shot. And you were a gentleman but Porter Wagoner stole me away. You really were a gentleman, but you started my life and you started me with my first record. You saw things in me that nobody else did, and I hope that I’ve made you proud. So many times, when I’m out on the road, thinking about what all has happened to me, I thank God, I thank the fans and I thank you. So, I just wanted to say congratulations and that I love you. And I’m gonna try and sing our song. It’s been 50 years or so. And it’s in a very high key. I may strain my milk, but I’m gonna try.”

Watch Dolly pay tribute to Fred with her performance of “Dumb Blonde” at the HOF ceremony.

Check out photos from the 2016 Country Music Hall of Fame Induction Ceremony!

photo by Jason Simanek

Get to Know Nash Next Finalist The Young Fables

Get to Know Nash Next Finalist The Young Fables

The Nash Next Challenge is down to its 10 finalists, and in the lead-up to the announcement of the champion on Oct. 25, NCD will be profiling each of the 10 finalists.

Today, we are getting to know finalist The Young Fables, which is a duo comprised of Laurel Wright and Wesley Lunsford.

In July, Cumulus Media and Big Machine Label Group invited aspiring country artists and bands to participate in the Nash Next Challenge, an artist development competition where the winner will receive a recording contract with Big Machine Label Group and have an original song produced by Jay DeMarcus, which will garner national radio airplay on Cumulus Media radio stations across the U.S.

The winner of the Nash Next Challenge will be crowned on Tuesday, Oct. 25, at Mercy Lounge in Nashville by judges Kix Brooks of Brooks & Dunn, Jay DeMarcus of Rascal Flatts, Danielle Bradbery and Big Machine CEO Scott Borchetta. The event, which will also feature a performance from Trent Harmon, is open to the public from 7–10 p.m.


The Young Fables

Members: Laurel Wright and Wesley Lunsford
Ages: Laurel, 21; Wesley, 30
Twitter: @TheYoungFables
Home City Market: Nashville

How did you get started in music?

Laurel: I started singing in church when I was 3 years old and haven’t stopped yet.

Wes: I always loved music, even as a small kid. I remember pretending with my brother that we were the Beatles in my bedroom, and I would be John while he would be everyone else. But I guess I officially started playing guitar around 14 years old.

At what age did you realize you wanted to make music your career?

Laurel: When I was a sophomore in high school I started spending more time with music than anything else. It probably wasn’t the best move for my social life, but I guess it worked out for the better.

Wes: I guess in high school when me and a few friends started our first band where we played songs we had written instead of just playing the next Metallica song.

Who are your musical influences?

Laurel: Kacey Musgraves, Patsy Cline, Loretta Lynn, Sarah Siskind and Jason Isbell are just a few off the top of my head.

Wes: I know everyone says this, but I love all kinds of music. On the country side I love Jerry Reed, Merle Haggard, Randy Travis and Roy Nichols, but I also love Bill Frisell, Allan Holdsworth, George Benson. If it has guitar, I probably like it.

What three words describe you?

Laurel: Messy, persistent, short.

Wes: Nerd, shy and curious.

What would you say is unique about your sound?

Laurel: I think we create modern music that’s rooted in tradition.

Wes: Going back to my influences, I think that my sound comes from an amalgamation of all my heroes and trying to fit them all into playing country music, and then add Laurel in the mix and that’s the sound.

What three albums would you take to a deserted island?

Laurel: Sarah Siskind’s In the Mountains, Jason Isbell’s Something More Than Free and Kacey Musgraves’ Same Trailer Different Park.

Wes: Waylon Jennings’ Honky Tonk Heroes, Bill Frisell’s Gone Just Like a Train and Prince’s Purple Rain.

What’s a song you wish you had written?

Laurel: “Feels Like Home” by Randy Newman.

Wes: “Last Thing I Needed First Thing This Morning” by Willie Nelson.

What was the first concert you ever attended?

Laurel: Keith Urban! and I was on the front row because my mom won the tickets from 107.7 WIVK.

Wes: The first one I can remember was going to see Bob Dylan.

What’s the last song you heard that blew you away?

Laurel: “Villain” by Lucie Silvas.

Wes: Probably a song that Laurel turned me ont0—Jason Isbell’s “Speed Trap Town.”

What’s your go-to karaoke song?

Laurel: “Redneck Woman” by Gretchen Wilson. Every time I sing it, though, it’s at the worse possible time, like at church functions or fundraisers. I never think of that until half way through the first verse.

Wes: I’ve only done karaoke once when I was probably 16 because I get so awkward onstage without my guitar, but I do remember singing “Welcome to My Nightmare” by Alice Cooper and you should have been there because I killed it.

Where is the craziest place you’ve performed?

Laurel: The Ryman Auditorium when I was 16. I got to sing a song I wrote and it was unforgettable.

Wes: In the middle of Belk in the mall, right between the Wranglers and the Lucky Brand Jeans.

What’s the first thing you do after a show?

Laurel: I do what I do every night—lay on the couch and watch Netflix.

Wes: Start practicing for the next one.

What’s been your most exciting or unusual fan encounter?

Laurel: I guess the time I signed a man’s nipple. He didn’t ask me to, but I did it anyways. Just kidding, he asked me to.

Wes: Usually I’m in the background, but I have had some cool encounters were Rodney Crowell told me he liked my guitar playing and Dave Mustaine gave me a thumbs-up!

What’s your favorite song to cover?

Laurel: “Crazy” by Patsy Cline. Yes, I know Willie wrote it, but I’m a girl, so I sing the Patsy version.

Wes: If we are talking about songs I sing, I love to do “Smoke, Smoke, Smoke” by Merle Travis.

What’s the most embarrassing thing you’ve done onstage?

Laurel: I was playing the Tennessee Valley Fair when I was about 16 and I was wearing a dress and—I don’t know if I should say this, but I wasn’t wearing any underwear, like always—I walked to the front of the stage not knowing there were tiny high-powered fans cooling the stage and they blew my dress almost completely over my head.

Wes: Probably one of the first times I was asked to sing “Hello Darlin’” by Conway Twitty and I started and forgot the words by probably the third line and was lost until the end. Usually I can recover or Laurel feeds me the words to get me on track, but not that time. Good thing it’s a short song.

Hot! Hot! Hot! Jana Kramer Scores Perfect 10s With Extremely Sexy Argentine Tango on “Dancing With the Stars”

Hot! Hot! Hot! Jana Kramer Scores Perfect 10s With Extremely Sexy Argentine Tango on “Dancing With the Stars”

It was Latin night on Week 6 of Dancing With the Stars last night (Oct. 17) when Jana Kramer and her partner, Gleb Savchenko, pulled off one of the sexiest—and wettest—dances on the hit TV show.

To kick off the evening, rapper Pitbull performed his hit “Greenlight” featuring Flo Rida and served as a guest judge for the remainder of the show. The remaining nine contestants were tasked with learning one of six Latin dances: rumba, salsa, samba, paso doblé, cha cha or Argentine tango.

Jana and Gleb were given the sexy Argentine tango to perform to the song “Hands to Myself” by Selena Gomez. The gorgeous duo definitely set their sights on bringing sexy back with their performance. However, right before they were about to hit the dance floor, Jana and Gleb received the news that they were in the bottom three and in jeopardy of being sent home that evening.

“Our first dance was super sexy and I feel like we got away from it because it was too much,” Jana said during rehearsal. “And now, are we going back to sexy again?”

“This dance will have a bath and a shower scene,” Gleb replied. “I think it’s going to be the hottest dance on DWTS ever done. It’s just going to be water pouring on us and we’re going to be all wet.”

145115_4249-400x600The hot couple did not disappoint. The audience and judges were on their feet as Jana and Gleb awaited their scores. That’s when it happened. Jana received a 10 from each of the judges, giving her a perfect 40 out of 40 score—her best score of the season and the best dance of the night.

“Now that is chemistry,” Julianne Hough shouted as the audience cheered. “First of all, I think you just set the record for the hottest Argentine Tango, for sure . . . tonight you owned that dance, that was all yours.”

“Pulsating with lust, driven by insatiable desire,” exclaimed Bruno Tonioli. “As down and dirty as you can possibly go and I loved every minute of it—sensational!”

“For you guys, I have to say, sexy is kind of the easy route because your chemistry is so incredibly palpable, it’s just incredible,” Carrie Ann Inaba said. “What I love is, tonight I saw you dancing as if you were going to take that mirror ball trophy and if you keep dancing like that, you’re going to do just that.”

With perfect 10s in their favor, Jana and Gleb learned their fate at the very end of the show. They were safe and coming back to dance another week. However, Amber Rose and Maksim Chmerkovskiy were not as lucky, they were eliminated from the show and sent home.

To keep Jana dancing on the show, call 1-800-868-3406 to vote immediately following the airing of the show, or vote online up to 24 hours after the show. You can see Jana and Gleb do their thing on Dancing With the Stars each Monday and Tuesday night at 7 p.m. CT on ABC.

Watch Jana and Gleb perform the very sexy, Argentine tango.

Garth Brooks Comes Out Firing With Upcoming Album, “Gunslinger”

Garth Brooks Comes Out Firing With Upcoming Album, “Gunslinger”

cb18d813ac0a3d98db6eacaf_560x560Garth “Danger” Brooks came out guns-a-blazin’ on his weekly Inside Studio G Facebook series on Oct. 17 by revealing to fans the cover art and title to his upcoming album, Gunslinger, which will drop on Nov. 25. Garth teased the album title on Saturday (Oct. 15) during an SEC football game where his new song, “Pure Adrenalin,” was the theme. The album’s first single, “Baby, Let’s Lay Down and Dance,” was released to country radio last week.

“The album title came to me when somebody asked me what my favorite thing about being on the road was,” said Garth. “I said ‘It just feels good to be out there being a gunslinger again. Just aiming with the heart and shooting from the hip, that’s what you do on the stage, right? And, lucky enough, you’ve got the ammo of ‘Friends in Low Places,’ ‘Callin’ Baton Rouge,’ ‘Shameless’ and you do. You’re a gunslinger out there. And each show’s different and you just shoot from the hip all night long.’ As soon I said it, I knew that was the album title right there.”

Watch the entire episode of Inside Studio G below.

Miranda Lambert Reveals Track Listing & Songwriters for Double Album, “The Weight of These Wings”

Miranda Lambert Reveals Track Listing & Songwriters for Double Album, “The Weight of These Wings”

Miranda Lambert ebbed out more info regarding her upcoming double album, The Weight of These Wings, which drops on Nov. 18. Today (Oct. 17) Miranda revealed the song titles and songwriters for each of the 24 tracks featured on the two-disc album, subtitled The Nerve and The Heart.

Miranda wrote or co-wrote 20 of the 24 songs. Other top songwriters featured include Natalie Hemby (10 cuts), Ashley Monroe (2 cuts), Shane McAnally (2 cuts), boyfriend Anderson East (2 cuts) and more.

Check out the song titles and songwriters below.

Disc 1: The Nerve

8dc1a6b8-6ca6-4666-a989-6f46fd29b3e61. “Runnin’ Just in Case” (Miranda Lambert/Gwen Sebastian)

2. “Highway Vagabond” (Luke Dick/Natalie Hemby/Shane McAnally)

3. “Ugly Lights” (Miranda Lambert/Natalie Hemby/Liz Rose)

4. “You Wouldn’t Know Me” (Shake Russell)

5. “We Should Be Friends” (Miranda Lambert)

6. “Pink Sunglasses” (Rodney Clawson/Luke Dick/Natalie Hemby)

7. “Getaway Driver” (Miranda Lambert/Anderson East/Natalie Hemby )

8. “Vice” (Miranda Lambert/Shane McAnally/Josh Osborne)

9. “Smoking Jacket” (Miranda Lambert/Natalie Hemby/Lucie Silvas)

10. “Pushin’ Time” (Miranda Lambert/Natalie Hemby/Foy Vance)

11. “Covered Wagon” (Danny O’Keefe)

12. “Use My Heart” (Miranda Lambert/Ashley Monroe/Waylon Payne)

Disc 2: The Heart

1. “Tin Man” (Miranda Lambert/Jack Ingram/Jon Randall)

2. “Good Ol’ Days” (Miranda Lambert/Brent Cobb/Adam Hood)

3. “Things That Break” (Miranda Lambert/Jessi Alexander/Natalie Hemby)

4. “For the Birds” (Miranda Lambert/Aaron Raitiere)

5. “Well-Rested” (Miranda Lambert/Anderson East/Aaron Raitiere)

6. “Tomboy” (Miranda Lambert/Natalie Hemby/Aaron Raitiere)

7. “To Learn Her” (Miranda Lambert/Ashley Monroe/Waylon Payne)

8. “Keeper of the Flame” (Miranda Lambert/Natalie Hemby/Liz Rose)

9. “Bad Boy” (Miranda Lambert/Mando Saenz)

10. “Six Degrees of Separation” (Miranda Lambert/Nicolle Galyon/Natalie Hemby)

11. “Dear Old Sun” (Miranda Lambert/Terri Jo Box/Gwen Sebastian)

12. “I’ve Got Wheels” (Miranda Lambert/Gwen Sebastian/Scotty Wray)

Weather

  • Forecast
  • Currents
  • Planner