Kelsea Ballerini Scores History-Making Third No. 1 Hit and Reveals Next Single

Kelsea Ballerini Scores History-Making Third No. 1 Hit and Reveals Next Single

With her latest single, “Peter Pan,” hitting the top of the Billboard Country Airplay chart and becoming her third No. 1 single from her debut album, Kelsea Ballerini is now revealing her next single coming to country radio.

“It’s called ‘Yeah Boy,'” Kelsea shares with Nash Country Daily. “We wanted to round out the album and kind of go back to that fun sound that it started with.”

“Yeah Boy” will be the fourth single released from her debut album, The First Time, following No. 1 hits “Love Me Like You Mean It,” “Dibs” and “Peter Pan.”

“I’m in the studio now making my second album and it’s going to cover two years rather than [ages] 12–21, so it’s going to be a little more in-depth,” adds Kelsea. “We thought it would be fun to kind of end [The First Time] on a high note, hopefully, and get a little rootsier on the next one.”

In February, Kelsea became one of only five women to notch No. 1s with their first two charted titles, joining Jamie O’Neal, Deana Carter, Faith Hill and Wynonna in the club. With “Peter Pan” reaching the No. 1 spot this week, Kelsea is now in the exclusive company of Wynonna, who is the only other female whose first three singles from a solo debut album reached No. 1. Wynonna also enjoyed an eight-year career as one-half of the super-hot duo The Judds before releasing her debut project in 1992.

Kelsea has the distinction of writing all three of her No. 1 songs, a feat not even Wynonna can match. That, my friends, is history in the making.

Can Kelsea make it four for four with her next single, “Yeah Boy?” You be the judge. Listen below:

Watch Jennifer Nettles Deliver Stunning “Star-Spangled Banner” Before Biggest College Football Crowd

Watch Jennifer Nettles Deliver Stunning “Star-Spangled Banner” Before Biggest College Football Crowd

With college and NFL football in full swing, we saw and heard many wonderful renditions of our national anthem over the weekend, but Jennifer Nettles’ performance on Sept. 10 may have taken the cake.

In front of 156,990 people who gathered at Bristol Motor Speedway to watch the University of Tennessee play Virginia Tech, Jennifer belted out a beautiful version of “The Star-Spangled Banner,” and she now holds the distinction of performing in front of the largest crowd at an NCAA football game.

Watch Jennifer’s chilling performance below.

 

Birthday Wishes

Birthday Wishes

Happy birthday wishes to both Jennifer Nettles and Kelsea Ballerini today (Sept. 12). J-Nett, who has a new Xmas album coming out soon, turns 42, while Kelsea, who is celebrating her third No. 1 single, is 23.

Watch Carrie Underwood’s New “Oh, Sunday Night” Theme Song for “Sunday Night Football”

Watch Carrie Underwood’s New “Oh, Sunday Night” Theme Song for “Sunday Night Football”

NBC kicked off their Sunday Night Football season last night (Sept. 11) as the New England Patriots took on the Arizona Cardinals, but before the first snap of the game, Carrie Underwood got the telecast started with her new “Oh, Sunday Night” theme song. “Oh, Sunday Night” is based on Carrie’s 2014 duet with Miranda Lambert, “Somethin’ Bad.”

SNF retired “Waiting All Day for Sunday Night,” the theme song based on Joan Jett’s “I Hate Myself for Loving You” that popular artists like Pink, Faith Hill and Carrie have covered over the past 10 years. Carrie is in her fourth season performing SNF‘s theme song.

Check it out below.

The Time Jumpers Find Happiness Through The “Fun of Making Music”

The Time Jumpers Find Happiness Through The “Fun of Making Music”

The Time Jumpers aren’t making music for the fame and fortune that comes along with the territory—they are simply doing it because they love it.

Nashville’s most legendary musicians—”Ranger Doug” Green (vocals, acoustic rhythm guitar), Paul Franklin (steel guitar), Brad Albin (upright bass), Billy Thomas (drums, vocals), Kenny Sears (vocals, fiddle), Larry Franklin (fiddle), Andy Reiss (electric guitar), Jeff Taylor (accordion, piano), Joe Spivey (fiddle, vocals) and Vince Gill (vocals, electric and acoustic guitars) —make up the 10-piece band that can be found Monday nights at a downtown Nashville club, 3rd and Lindsley, putting on one of the hottest shows in town.

Today (Sept. 9) the western swing/traditional country band has released their third album, Kid Sister. The record contains 14 new and classic western swing and traditional country songs that pay tribute to a much-loved member of the band, the late Dawn Sears. Dawn— who passed away from cancer in 2014 – is the “Kid Sister” that inspired the title track, written by Vince Gill, and her final recordings can be heard on the new record.

Nash Country Daily was lucky enough to have four of the ten members— Vince Gill, Kenny Sears, Paul Franklin and Billy Thomas— in the NCD studios to talk about the new album, Kid Sister and what makes the Time Jumpers so special.

NCD: For those people that are not aware of the Time Jumpers, can one of you give us a little history on how they got started?

KENNY SEARS: The band actually started over at the Opry— in the dressing room from jam sessions. We found a little magic playing the ole western swing kind of music—It’s just happy music and fun, as well as challenging. We decided we should find a place to play. We started at the Station Inn in 1998. We outnumbered the audience at often times back then—but we were there for that. We were there for the fun of it and the music. All these years later, we’re still doing it for the fun of playing the music and some really nice things have happened along the way. It’s all been gravy and icing on the cake, however you want to say it. We’re still in it for the same reason, we’re still doing it for the fun of playing the music.

NCD: You forgot that part about you all being the finest musicians in Nashville.

VINCE GILL: It’s impolite to say that about yourself.

Time_Jumpers_Album_CoverNCD: Ok, I said it for you.  Kid Sister—the third Time Jumpers studio album is a tribute to the late Dawn Sears, Kenny’s wife and valued member of the Time Jumpers, who passed away from cancer two years ago.

VINCE: Yeah, honestly it did not start out as a tribute record to Dawn—that’s just what life dealt unfortunately. We started the record with Dawn in tow and the first track we cut was “San Antonio Rose”—she was going to sing that song and all we had was a scratch vocal that she did, a tracking vocal, and never got around to getting back to it because of her illness. I thought ‘here’s a piece of Dawn that maybe we can find a way to use.’ Obviously we didn’t have the entire song done and I thought this might make a good duet. I said, “Kenny, what would you think about maybe doing this as a duet with Dawn and be one last kind of neat thing?” Because we didn’t really go back and have at this record again until after her passing. Things were different then. We didn’t have her great voice to lean on and sing the majority of the songs—which she deservedly should have and could have. We went on and made this record because we all felt like her spirit would say, ‘You all need to just go play, you’ve always played and I’m not going to be a part of it.’ Away we went, recorded some song, found some songs. The title of the album came from a song I wrote after her passing and that’s what she was to me, she sang on the road with me for over twenty years. She was like my kid sister that I never had. I had a big sister, but I never had a kid sister. That’s what the song wound up being called, was “Kid Sister”. I asked the guys, I said, ‘Would you mind if we recorded this song and put it on the record and call the record Kid Sister in honor of Dawn?” Of course everybody was in agreement.

NCD: What’s the significance of the album cover?

VINCE: The album cover is beautiful. It’s the farm that Amy [Grant] and I got married on. Jim McGuire [renowned Nashville photographer] and I went out there at sunrise one morning and took those pictures at dawn. That’s the point.

NCD: And Dawn also appears on another song, “I Miss You,” that you [Vince] wrote with Ashley Monroe, correct?

VINCE: Yeah, I wrote that song with Ashley some years ago and was actually intended to be on a record of mine—on the “Guitar Slinger” record. I had too many songs and it didn’t quite fit and for whatever reason it didn’t get on that record. I had this piece of [Dawn and I] singing almost a duet together. Some of these songs that we recorded on Kid Sister were intended for her and I to do duets on. ‘Table for Two’ was also going to be a duet. But I had this piece of ‘I Miss You’ and her voice was just so glorious on it. As I listened to the song, it was very Roy Orbison-ish in its production and melodic structure, but the lyric was not appropriate for what we had just been through in the passing of Dawn. With Ashley’s blessing I re-wrote the lyrics of the verses and made the song more about someone passing and therefore it had honesty to it— it had the truth in it. We wound up playing a new track to our vocals— to my vocal and Dawn’s vocal together. It was really beautiful to get to record to her voice again. Magical.

Kid Sister track listing with songwriters:
1. “My San Antonio Rose” (Freddy Powers)
2. “I Miss You” (Vince Gill, Ashley Monroe)
3. “We’re The Time Jumpers” (Vince Gill)
4. “Table For Two” (Vince Gill, Max D. Barnes)
5. “Empty Rooms” (Doug Green)
6. “All Aboard” (Paul Franklin)
7. “Blue Highway Blue” (Debi Smith Cochran, Billy Thomas, John Paul Daniel)
8. “I Hear You Talkin’” (Cindy Walker)
9. “The True Love Meant For Me” (Vince Gill)
10. “Honky Tonkin’” (Vince Gill, Troy Seals)
11. “Bloodshot Eyes” (Hank Penny)
12. “Sweet Rowena” (Vince Gill, Pete Wasner)
13. “This Heartache” (Kenny Sears)
14. “Kid Sister” (Vince Gill)

NCD: The album is not all western swing. I hear traditional country and a big band sound.  Was that a conscious decision to mix it up or did it just happen that way?

PAUL FRANKLIN: Well, western swing music started back in thirties. Bob Wills, Spade Cooley, Tex Williams, they were all country musicians who loved Ellington, Basie, all the great big bands. They didn’t use horns necessarily. Some of them, early on did— but that’s what they try to emulate with country instruments. We’ve just basically taken that torch and ran with it in modern times. Now, we do the same thing they did. They brought in the pop music of their day and we’re kind of bringing—it’s not pop-country—but it’s the classic country sounds of early George [Jones], early Buck [Owens], and infuse that with what we’re doing and it’s really working. People seem to really like it.

The Time Jumpers - Photo by Joe Lester/Press Line Photos
The Time Jumpers – Photo by Joe Lester/Press Line Photos

NCD: Can each one of you tell me what your favorite song on the album?

BILLY THOMAS: We just had somebody mention ‘Sweet Rowena.’ Somebody said that’s really gritty and bluesy— it’s a great extension of our band, a new side of it. There’s a real cosmopolitan thing that we have also, but this is a gritty side. It wasn’t there before when I first joined. It’s expanded now. I think that’s one of my favorites.

PAUL: For Time Jumpers fans, this record has a lot of new feels that we never did really explore. Billy’s song, ‘Blue Highway Blue,’ gives us a little blues element. That’s one of my favorites. “Sweet Rowena” is kind of like that— it has a little New Orleans in there. We’re just kind of all over the map, but it all ties in together because of ten people’s input into each song.

KENNY: I like ‘All Aboard.’ It’s an instrumental that Paul [Franklin] wrote. It’s fun, it’s just a fun romp. Of course, “I Miss You” [sung by Vince Gill and the late Dawn Sears] too. I have to like that because Dawn’s on it. But there’s only one instrumental on this record and it wouldn’t bother me if there were more, because it’s just a fun way to show off the musicianship in the band.

VINCE: My favorite is the ‘We’re The Time Jumpers’ theme song. Not because I wrote it, but I’m proud of it. I set out to try to write songs that felt old and it’s a great challenge. The Texas Playboys had a really cool theme song that I’ve known my whole life. I thought, ‘We should have a theme song!’ I found a way to work everybody’s name into it—even Darlene, who’s Joe’s [Spivey] wife, who helps work the door along with Mama Jean Hughey, who was married to John Hughey, former member of this band that passed away.  Just a little bit of a tip of the hat to a Monday night [when the Time Jumpers perform at 3rd and Lindsley in Nashville]—and how much fun it is in Nashville. It was so steep in that really great traditional western swing era of the thirties and forties— that you put that record on and you do get transported to the thirties and the forties, it’s legit. It stands up and it feels timeless.

NCD: Vince you produced this album – does that mean you were the sole decision maker?

VINCE: No, no, it’s a completely joint effort and this was really kind of the guys’ idea to give me that kind gesture of saying I produced this—but I didn’t do much. I just kind of messed with it, because all the arrangements were done by the guys, we all do it together, everything’s democratic. I did all the grunt work, basically. I went and did all the vocals. I did all the vocal comping. With a little bit of fairy dust here and there on a few notes to help a few folks out and whatnot—It’s not really the typical producer role that you would see in most records. The truth is, this kind of band doesn’t need producing. You don’t produce this much history, this much legacy of musicianship.

NCD: How does one get to be a part of the Time Jumpers?

BILLY: I’m one of the new guys, because of Vince. I’ve played with Vince for many, many years and because Dawn was there—there was that connection also. I think I got ‘big brothered’ and ‘big sistered’ into that. When I first heard the material —I had heard the band way back when they played the Station Inn [a Nashville venue for bluegrass music] and with a whole different type of band. I fell in love—first of all—with the fiddles. The fiddles being a trio of fiddles and then just the combination of how it’s a large sounding band with different instrumentation than what I had ever heard on a big band. I was taken with that. They needed a sub and I’d had gone in and subbed for Rick Vanaugh—who was a drummer at that time— and everybody seemed to like the feel that I brought to the band. So when they made a change—my name came up and I said ‘absolutely!’

“I Miss You” is the first single released from the project, Kid Sister, that is available today (Sept. 9). Check out “I Miss You” sung by Vince Gill and the late Dawn Sears.

Jason Aldean Talks Entertaining the Masses, His Love of the Great Outdoors & His “Vintage” New Album, “They Don’t Know”

Jason Aldean Talks Entertaining the Masses, His Love of the Great Outdoors & His “Vintage” New Album, “They Don’t Know”

Jim Casey talks with Jason Aldean about receiving the 2016 ACM Award for Entertainer of the Year, the duality of his onstage and offstage personas, his new studio album, They Don’t Know, working with new country music star Kelsea Ballerini for the duet on “First Time Again,” and more.

Show Participants

  • Jason Aldean
  • Jim Casey, NCD managing editor

Show Notes & Links

2016-08-22_Jason-Aldean-DSC_5354-edit-1200px-v2

Show Quotes

  1. “[‘First Time Again’] may very well be a single down the road. Who knows? We’ve got a ton of great stuff on the album, I feel like.” Jason Aldean
  2. “Growing up playing baseball, thinking that that’s what I was gonna pursue as a career. I never thought in a million years that I’d be playing Fenway Park as a singer. It’s cool. It’s a really cool way for me to mix two things that I am super passionate about and live out two dream at one time.” Jason Aldean
  3. “I just wanted to do something to make those [Fenway Park] shows extra special. So, we called [Kid Rock] up and he was willing to come hang out and have some fun for a couple of nights with us. I thought it would be great for and great for the fans of Boston.” Jason Aldean

 

The Writers Room, Ep. 31, 16 minutes
photo by Jason Simanek

Art Imitates Life as Billy Ray Cyrus Crosses His Own “Thin Line”

Art Imitates Life as Billy Ray Cyrus Crosses His Own “Thin Line”

Billy Ray Cyrus is a busy man these days. Writing and starring in his own sitcom, Still The King, which was picked up for a second season by CMT, would keep anyone busy enough. On top of that, Billy Ray decided to release a brand-new album, Thin Line—which drops Today (Sept. 9)—chock-full of guest appearances and classic country songs.

Billy-Ray-Cyrus-Thin-Line-Album-2016Known for his striking good looks, hip-shaking moves, multi-million selling album, Some Gave All, and smash-hit single, “Achy Breaky Heart,” in the 1990s, Billy Ray Cyrus is now a sentimental family man, a deep thinker and relaxed in his own skin. Over the course of three decades, Billy Ray has sold millions of albums and reached international success. But on his latest project, Thin Line, all Billy Ray wants is to represent how he lives his life.

“The album actually started as a tribute to my heroes, The Outlaws—Waylon Jennings, Willie Nelson, Kris Kristofferson, Merle Haggard and Johnny Cash,” Billy Ray told Nash Country Daily.  “I had been working on it for a couple years and in the mean time CMT picked up [my show] Still the King. During the upfronts [upfronts are gatherings hosted by television networks at the start of advertising sales periods, attended by the press and major advertisers to see how they feel about the shows.] in New York City, someone from Viacom said ‘Okay we need one sentence to put in our sales pitch. One sentence to describe Still the King, how would you describe it?’ Well I said, ‘It’s kind of a thin line between Elvis and Jesus.’ Somebody goes ‘That’s great, that’s a hit!’ You should write that as a song.’ I am a singer/songwriter first and foremost, so as soon as I got back to my room, I wrote it down and said ‘Yeah, it’s a thin line between Elvis and Jesus.’ When I write a song the words and the music comes really fast and so I just started singing it, and the words came—just kind of fell from the sky.”

And thus the song “Thin Line” was born.

Thin Line Tracklisting

1. “Thin Line” (feat. Shelby Lynne)
2. “Loving Her Was Easier (Than Anything I’ll Ever Do Again)”
3. “They’re Playin’ Our Song”
4. “My Heroes Have Always Been Cowboys”
5. “Stop Pickin on Willie”
6. “Sunday Morning Coming Down” (feat. Shelby Lynn)
7. “Tulsa Time” (feat. Joe Perry)
8. “Hillbilly On”
9. “Killing the Blues” feat. Shooter Jennings
10. “I’ve Always Been Crazy” (feat. Shooter Jennings and Lee Roy Parnell)
11. “Hey Elvis” (feat. Bryan Adams and Glenn Hughes)
12. “Help Me Make It Through the Night” (feat. Kenley Shea Holm)
13. “Home (Let It Find You)”
14. “Going Where the Lonely Go” (Tribute to Merle Haggard feat. Braison Cyrus)
15. “Angels Protect This Home” (feat. Miley Cyrus)

Aside from Billy Ray’s vocal talents, the album also features many alt-genre guest stars, including Bryan Adams, Aerosmith’s Joe Perry, Shooter Jennings, Lee Roy Parnell and Billy Ray’s kids, son Braison Cyrus and daughter Miley Cyrus. But it was by shear coincidence that you hear Grammy-winner Shelby Lynne’s voice on the record—on both “Thin Line” and “Sunday Morning Coming Down.” Billy Ray was writing with Shelby—best known for her 1999 album, I Am Shelby Lynne—when he played her the song.

“It’s kind of crazy to think about the people on this album. When I wrote the song [“Thin Line”], I got fortunate enough that Shelby Lynne had come over to write with me,” recalls Billy Ray. “I played her ‘Thin Line’ and she loved it. So we just fired up the microphone. Shelby Lynne is one of the greatest voices—I’m going to go ahead and say it—in the history of country music. She’s so identifiable and she brings so much emotion. The old cliché of dynamite comes in small packages—well it really does. That little teeny lady just got behind that microphone and just blew it up. Shelby said ‘Got anymore?’ I played her ‘Sunday Morning Comin Down,’ and she said ‘I always wanted to record that song.’ So I said ‘Well, now’s your chance!’ She jumped on ‘Sunday Morning Comin Down’ with me also.”

Billy Ray, the father to six children—Christopher, Trace, Brandi, Miley, Braison and Noah—also made the album a family affair by inviting two of his kids, Braison (22) and Miley (23), to sing on the record. Braison Cyrus—a model/actor—adds his voice to the Merle Haggard tribute, “Going Where The Lonely Go.” Sadly though, Billy Ray had plans to sing the song with Merle but his sickness prevented them from getting together and eventually he passed before they could get it done. Billy Ray’s daughter, Miley Cyrus, helps her dad out on what Billy Ray calls a prayer on “Angels Protect This Home.”

Billy Ray with (L-R) Braison, Noah, wife Tish and Brandi. Photo by Tammie Arroyo/AFF-USA.com
Billy Ray with (L-R) Braison, Noah, wife Tish and Brandi. Photo by Tammie Arroyo/AFF-USA.com

“This is kind of a debut for Braison,” said Billy Ray. “It is appropriate that it is a tribute to Merle Haggard because both he and Miley first learned to play the guitar listening to Merle Haggard. We always played ‘Going Where the Lonely Go.’ So it was kind of appropriate that he joined in on that.

“Miley and I do a little thing on the album. Because it’s a track, a lot of people call it a song, but it’s actually a prayer. It’s very different. It’s a chant. A couple years ago she brought me this bowl for my birthday. A big bowl that you hit with a drumstick, and the sound just goes on forever. It’s kind of like a bell only it just keeps going. It made such a crazy frequency that as I was sitting in my studio one day I thought I want to see what this sounds like to record it. I hit it, held it up, and it just lasted so long. The song’s nine minutes long, that’s because that’s how long the bell rang. Miley came in later and goes ‘oh my God, you love the bell?’ I played it for her. She starts chanting these words about saving the Earth and taking care of the animals. It was just very deep. It became a prayer.”

Thin Line—Billy Ray’s first studio album in 4 yearshas the “Achy Breaky Heart” singer covering a number of country classics from his musical heroes. You’ll find songs like Don Williams’ “Tulsa Time” featuring Joe Perry,” Willie Nelson’s “My Heroes Have Always Been Cowboys” and a number of Kris Kristofferson tunes, including “Help Me Make It Through The Night” and “Loving Her Was Easier (Than Anything I’ll Ever Do Again).” The singer/songwriter also offers his own self-penned tunes such as the fun-loving “Stop Pickin’ On Willie,” “They’re Playin’ Our Song,” and the title track, “Thin Line,” featuring Shelby Lynne. The album’s title track is a song that Billy Ray feels relates to his own life as well as those who listen to it.

“The whole song came—the verse, chorus and another verse,” recalls Billy Ray. “As soon as I wrote it I thought ‘Man, it really is strange, at least in my world, how art imitates life. Though I wrote it for Vernon [Billy Ray’s character on Still The King], it’s so apropos for Billy Ray Cyrus. It’s a thin line for everything in my life— certainly a lot of people I meet. It seems like we’re all kind of on the edge. It can always turn really quick and be something different. That’s what “Thin Line” is about.  It certainly applied in my life as Billy Ray Cyrus, and certainly Vernon’s.”

Speaking of Vernon, Billy Ray created a TV show, Still The King—with the help of friends Travis Nicholson and Potsy Ponciroli—about a troubled guy named Vernon Brownmule, aka “Burnin’ Vernon.” The show came about at a crossroads in Billy Ray’s life as he pondered what the next step in his career would be.

Hannah Montana - Billy Ray and Miley. Photo by Disney Channel/Dean Hendler
Hannah Montana – Billy Ray and Miley. Photo by Disney Channel/Dean Hendler

“Coming out of Hannah Montana—The Disney Channel’s mega-hit show in which he co-starred with his daughter Miley—I knew that if I was going to try to do anything else that I would need to reinvent,” says Billy Ray. “Reinventing out of that monster, that’s pretty tough. I had done a couple reinventions before, but none could compare to coming out of [Hannah Montana] because it was so visual. That was just very visual as Robby Ray [his character in Hannah Montana] and the whole Disney thing. It was a bit of a double-edged sword because as a musician—how do you seriously come out of that? The answer was possibly you don’t and as an actor possibly you don’t. Maybe you just go to the barn and enjoy the rest of your life as best you can. That wasn’t really an option for me because I love acting and I really love writing songs and singing and being a musician. I couldn’t stop. Even if I wasn’t here doing this right now, even if this album didn’t exist, I’d be somewhere locked up in my little room with my little microphones pretending that I was making some music that somebody gave a damn about, and writing songs and doing harmonies and doing this stuff. Because that’s what I do, I love making music.”

Still The King is Billy Ray’s reinvention. The thirty minute sitcom is about Vernon Brownmule, a washed up one-hit wonder—played by Billy Ray—who was driven away from country music only to return 20 years later as the second (yes, I said second) best Elvis impersonator around. Vernon finds himself in trouble with the law and has to help the local church, as a handyman, for part of his parole. In a mix of events Vernon convinces the church he is the new minister. On top of that, Vernon is reunited with his former flame and learns that he has a 15-year-old daughter he never knew. The idea just came to Billy Ray on a bus ride in the middle of nowhere.

Still The King Photo by Mark Levine/CMT
Still The King – Photo by Mark Levine/CMT

“In the middle of the night the bus had stopped to fuel up at a Pilot. I got my dog, Tex, off to let him go out and walk in the grass a little bit. As I was walking I saw an old dilapidated Pentecostal church. It was falling down, it needed love. At the same time I look over and there was a big billboard and an old building saying Elvis Hayride. It was like a big neon sign flashing in front of me. It just popped up like ‘Dude there’s your reinvention— a dysfunctional Elvis impersonator who lies his way into that church.’ I pointed at the church and said to my dog, ‘Dysfunctional Elvis impersonator lies his way into that church as the preacher, only to find out he has a fifteen-year-old daughter he never knew existed. In a way that’s kind of the opposite of your previous character.’

“I just went straight on the bus. When I write as a writer for a screenplay — I’m writing a scene, it just has to come like my songs do. They come really fast. I really can’t sit down and do it intentionally. They just come when they come, and because that thought was there, I walked on the bus and started writing. In about 15-20 pages later I had the basic synopsis for Still the King.”

And 13 episodes later, Still The King was picked up for a second season on CMT and will begin filming the second week of November with plans to air sometime in 2017. In the meantime, Thin Line, is available today (Sept. 9) for your listening pleasure.

Photo courtesy of Aristo Media PR

Watch Kane Brown’s Stormy New Lyric Video for “Thunder in the Rain”

Watch Kane Brown’s Stormy New Lyric Video for “Thunder in the Rain”

As Kane Brown gears up for the release of his debut full-length album this fall, he’s staying busy on the road with Cole Swindell, the Cadillac Three and Florida Georgia Line on their Dig Your Roots Tour.

In addition, last week Kane released his new single, “Thunder in the Rain,” to country radio. Co-penned by Kane, Josh Hoge and Matt McVaney, the tune was one of the most added songs on the Billboard Country Airplay chart last week.

“The song has got a real drive to it,” says Kane to Nash Country Daily. “It’s about two unstoppable forces in a relationship. Nothing is going to come in between them. I feel like it’s just a fun song to drive to and roll your windows down and just jam out to.”

Check out the new lyric video for “Thunder in the Rain.”

Listen to Jason Isbell & Amanda Shires’ Striking New Tune, “The Color of a Cloudy Day”

Listen to Jason Isbell & Amanda Shires’ Striking New Tune, “The Color of a Cloudy Day”

If you’ve ever seen Jason Isbell and his wife, Amanda Shires, perform together, you know they are a formidable tandem capable of evoking a range of emotions from their audience. Their new song, “The Color of a Cloudy Day,” does just that—dueling vocals coupled with Jason’s guitar and Amanda’s fiddle create a powerful combination.

Co-penned by Jason and Amanda, “The Color of a Cloudy Day,” was originally recorded for a movie called Fear 13, but was never officially released until today (Sept. 9) via Amazon Acoustics, which is an original playlist that features newly-written and recorded songs from artists and bands such as O.A.R., Train, Rodney Crowell and more.

“The [song’s] protagonist isn’t perfect, but doesn’t deserve to be isolated, and feels he’s being treated like a caged animal,” Jason said to The Wall Street Journal. “I think all couples deal with these feelings on some level at certain points in a relationship, but Amanda and I spend a lot of time apart because of our work, so we can certainly relate.”

Check out the song below.

https://soundcloud.com/amazon-music/the-color-of-a-cloudy-day-gsm-master-jason-isbell

photo by Nate Burrell

Top 5 Performances From Tonight’s Televised 10th Annual ACM Honors Ceremony

Top 5 Performances From Tonight’s Televised 10th Annual ACM Honors Ceremony

After filming more than a dozen great performances inside Nashville’s Ryman Auditorium on Aug. 30, the 10th annual ACM Honors will air a two-hour televised special tonight (Sept. 9) on the CBS Network at 9 p.m. ET.

The five standout performances of the evening included ditties from a handful of country’s most talented ladies—and one pop/R&B star—as well as an all-star medley from four of country’s top crooners.

Top 5 Performances

5. Maren Morris’s cover of “Delta Dawn” in honor of Tanya Tucker

Maren-Morris-2016-ACM-Honors-Awards-crop

4. Cam and Alicia Keys teaming up for “Girl Crush” in honor of Little Big Town

Cam-and-Alicia-Keys-2016-ACM-Honors-Awards-crop

3. Kelsea Ballerini’s “Don’t It Make My Brown Eyes Blue” in honor of Crystal Gayle

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2. Miranda Lambert’s performance of “Misery & Gin” before she was presented with the inaugural Merle Haggard Spirit Award

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1.All-Star Medley Tribute to Glen Campbell

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In a special moment that concluded the show, Blake Shelton, Toby Keith, Keith Urban and Dierks Bentley performed an all-star medley in a tribute to Glen Campbell that featured “Southern Nights,” “Gentle on My Mind,” “Wichita Linemen,” “By the Time I Get to Phoenix” and the iconic “Rhinestone Cowboy.”


Other performances included Dierks Bentley’s “Freedom” in honor of Ross Copperman; Luke Bryan and Cole Swindell’s “I Love a Rainy Night” in tribute to Eddie Rabbitt; Chris Young and Dan + Shay’s “Flowers on the Wall” in honor of the Statler Brothers; and The Band Perry’s performance of “MacArthur Park” in honor of Jimmy Webb.

To see which performances make the two-hour ACM Honors television special, tune in to the CBS Network on Friday, Sept. 9, at 9 p.m. ET.

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