In Honor of Labor Day, the 40 Hardest Working Songs in Country Music History: #21–30

In Honor of Labor Day, the 40 Hardest Working Songs in Country Music History: #21–30

It’s time to clock in—we’ve got the 40 Hardest Working Songs in Country Music.

Today, Aug. 31, we’re featuring #21–30.

Country music throughout the decades has not only embraced its working class roots, it’s made a point to praise them. Yes, work is tough, as Merle Haggard wrote in “Workin’ Man’s Blues” or as George Strait sang in “Amarillo by Morning.” But to the hardcore country fan, hard work and sticking to it also represents a badge of pride. That’s why so many country songs are devoted to the working class—after all, it’s the core audience.

As we observe Labor Day on Monday, Sept. 5, we’ve picked 40—in honor of the 40-hour workweek—country songs that truly get to the heart of the working man and woman.

So, take a little time from your stressful day, kick back and savor these 40 songs—only one from each artist—about what all of you do every day: namely, keep this country moving with your work and dedication.

Tuesday, Aug. 30: #31–40
Wednesday, Aug. 31: #21–30
Thursday, Sept. 1: #11–20
Friday, Sept. 2: #1–10

#30. “Drinking Class
Lee Brice
2014
There’s not a dang thing wrong with earning an honest living breaking your back and working up a sweat. In fact, it’s a source of pride as Lee Brice boasts in this anthemic salute to working hard and playing harder.

#29. “Something More”
Sugarland
2005
At some point, we all have the sneaking suspicion that we’re wasting our lives eight hours (or more) a day at work. This breakout Sugarland hit floats the idea that we should work to live, not live to work and that bigger and better may be out there somewhere.

#28. “Mariano”
Robert Earl Keen
1989
There’s a tender ache in REK’s voice as he sings about Mariano, a virtuous Mexican laborer who works just like a piston in an engine so he can send his family all his weekly wages, saving nothing for himself. Eventually deported and unaccounted for, Mariano’s plight for a better life becomes too haunting to forget.

#27. “Workin’ for a Livin’”
Garth Brooks & Huey Lewis
2007
’80s faves Huey Lewis and the News, whose members collaborated on the song, were a blues/rock band at heart. But they had plenty of country in their souls. With lines like, Damned if you do / Damned if you don’t / I’m supposed to get a raise next week / You know damn well I won’t, this tapped right into the frustrations of the average working stiff. Garth and Huey pound it out with fervor.

#26. “The Factory”
Kenny Rogers
1988
Kenny’s touching tune about the daily struggles of a factory worker with a family of nine serves as a poignant reminder that it’s OK to dream bigger, but don’t forget to be thankful for what you have. That’s why Papa got down on his knees and prayed, Please help me through another day / Thank you, Lord, for my job down at the factory.

#25. “One More Payment”
Clint Black
1991
Why do we work so hard? Livin’ isn’t free, unfortunately, and there’s always some damn house payment to be made or car that needs to be fixed. Clint’s bright, Texas swing arrangement adds a touch of levity to the proceedings, but this much is clear: we get out of our obligations only when we check out for good.

#24. “Blowin’ Smoke”
Kacey Musgraves
2013
Let’s be honest. Every job, no matter how much you love it, can be a grind now and then, but if you’re on your feet all day slingin’ hash, making less than minimum wage and pulling doubles for the tips, the grinds are a little greater. Kacey nails the attitude of a waitress who doesn’t have a damn left to give.

#23. “Cafe on the Corner”
Sawyer Brown
1992
This classic pays homage to a farmer forced from his fields because of falling prices. He’s relegated to sipping coffee at a local cafe, feeling completely out of place, and wondering if he’ll ever tend to the earth again.

#22. “I’m Tryin'”
Trace Adkins
2001
With his rumbling baritone, Trace Adkins can convey a message like no other, and in “I’m Tryin,” he vacillates between anxiety and apology for simply doing the best he can to provide for his family and make his daddy proud. Listen to the original on his Chrome album. The opening strings will break your heart.

#21. “Lord Have Mercy on the Working Man”
Travis Tritt
1992
Travis Tritt’s spin on the working man’s anthem highlights the economic imbalance of working people and the wealthy. The working man breaks his back to break even, while the wealthy man dances unawares. It’s as relevant today as it was in ’92.

Who Got Snubbed? The 12 Biggest CMA Nomination Snubs of 2016

Who Got Snubbed? The 12 Biggest CMA Nomination Snubs of 2016

Entertainer of the Year

  • Garth Brooks
  • Luke Bryan
  • Chris Stapleton
  • Carrie Underwood
  • Keith Urban

Biggest Snub: Jason Aldean

Female Vocalist of the Year

  • Kelsea Ballerini
  • Miranda Lambert
  • Maren Morris
  • Kacey Musgraves
  • Carrie Underwood

Biggest Snubs: Jennifer Nettles, Brandy Clark

Male Vocalist of the Year

  • Dierks Bentley
  • Eric Church
  • Tim McGraw
  • Chris Stapleton
  • Keith Urban

Biggest Snubs: Chris Young, Blake Shelton

Album of the Year

  • Black – Dierks Bentley
  • Hero – Maren Morris
  • Mr. Misunderstood – Eric Church
  • Ripcord – Keith Urban
  • Storyteller – Carrie Underwood

Biggest Snubs: A Sailor’s Guide to Earth – Sturgill Simpson; Big Day in a Small Town – Brandy Clark

Vocal Group of the Year

  • Lady Antebellum
  • Little Big Town
  • Old Dominion
  • Rascal Flatts
  • Zac Brown Band

Biggest Snub: None

Vocal Duo of the Year

  • Brothers Osborne
  • Dan + Shay
  • Florida Georgia Line
  • Joey + Rory
  • Maddie & Tae

Biggest Snub: LoCash

New Artist of the Year

  • Kelsea Ballerini
  • Brothers Osborne
  • Maren Morris
  • Old Dominion
  • Cole Swindell

Biggest Snub: Sam Hunt

Song of the Year (Awarded to Songwriters)

  • “Burning House” – Cam, Tyler Johnson, Jeff Bhasker
  • “Die a Happy Man” – Sean Douglas, Thomas Rhett, Joe Spargur
  • “Humble and Kind” – Lori McKenna
  • “Record Year” – Eric Church, Jeff Hyde
  • “My Church” – busbee, Maren Morris

Biggest Snub: “You Should Be Here” ­– Cole Swindell, Ashley Gorley

Single of the Year

  • “Die a Happy Man” – Thomas Rhett
  • “Humble and Kind” – Tim McGraw
  • “My Church” – Maren Morris
  • “Nobody to Blame” – Chris Stapleton
  • “Record Year” – Eric Church

Biggest Snub: “Burning House” ­– Cam

Musical Event of the Year

  • “Different for Girls” – Dierks Bentley feat. Elle King
  • “Home Alone Tonight” – Luke Bryan feat. Karen Fairchild
  • “The Fighter” – Keith Urban feat. Carrie Underwood)
  • “Think of You” – Chris Young with Cassadee Pope
  • “You Are My Sunshine” – Morgane Stapleton with Chris Stapleton

Biggest Snub: None

Video of the Year

  • “Burning House” – Cam, directed by Trey Fanjoy
  • “Fire Away” – Chris Stapleton, directed by Tim Mattia
  • “Humble and Kind” – Tim McGraw, directed by Wes Edwards
  • “Record Year” – Eric Church, directed by Jon Peets and Reid Long
  • “Somewhere on a Beach” – Dierks Bentley, directed by Wes Edwards

Biggest Snub: “Brace for Impact (Live a Little)” – Sturgill Simpson

Grand Canyon

Grand Canyon

Traditional country music fans have plenty to look forward to on upcoming episodes of the national variety series The Joey Canyon Show, airing on RFD-TV. The program, which is shot on-location in scenic Denver, will features Doug Stone, Daryle Singletary, Pam Tillis, Josh Abbott Band and John Berry in upcoming September episodes.

Top 5 Television-Worthy Performances From the 10th Annual ACM Honors Ceremony

Top 5 Television-Worthy Performances From the 10th Annual ACM Honors Ceremony

It was a muggy 95-degrees in Nashville yesterday (Aug. 30), but it was even hotter in the Ryman Auditorium last night for the 10th annual ACM Honors. Seriously, the Mother Church needs a new AC, but that didn’t stop the capacity crowd from enjoying a bevy of performances from country music’s biggest stars as they took the stage to pay tribute to the night’s honorees.

The five standout performances of the evening included ditties from a handful of country’s most talented ladies—and one pop/R&B star—as well as an all-star medley from four of country’s top crooners.

Top 5 Performances

5. Maren Morris’s cover of “Delta Dawn” in honor of Tanya Tucker

Maren-Morris-2016-ACM-Honors-Awards-crop

4. Cam and Alicia Keys teaming up for “Girl Crush” in honor of Little Big Town

Cam-and-Alicia-Keys-2016-ACM-Honors-Awards-crop

3. Kelsea Ballerini’s “Don’t It Make My Brown Eyes Blue” in honor of Crystal Gayle

Kelsea-Ballerini-2016-ACM-Honors-Awards-crop

2. Miranda Lambert’s performance of “Misery & Gin” before she was presented with the inaugural Merle Haggard Spirit Award

Miranda-Lambert-2016-ACM-Honors-Awards-crop

1.All-Star Medley Tribute to Glen Campbell

Keith-Urban-Dierks-Bentley-Toby-Keith-Blake-Shelton-crop

In a special moment that concluded the show, Blake Shelton, Toby Keith, Keith Urban and Dierks Bentley performed an all-star medley in a tribute to Glen Campbell that featured “Southern Nights,” “Gentle on My Mind,” “Wichita Linemen,” “By the Time I Get to Phoenix” and the iconic “Rhinestone Cowboy.”


Other performances included Dierks Bentley’s “Freedom” in honor of Ross Copperman; Luke Bryan and Cole Swindell’s “I Love a Rainy Night” in tribute to Eddie Rabbitt; Chris Young and Dan + Shay’s “Flowers on the Wall” in honor of the Statler Brothers; and The Band Perry’s performance of “MacArthur Park” in honor of Jimmy Webb.

To see which performances make the two-hour ACM Honors television special, tune in to the CBS Network on Friday, Sept. 9, at 9 p.m. ET.

CMA Award Nominations Announced: Eric Church, Chris Stapleton & Maren Morris Lead the Pack With 5 Nods—Aldean and Shelton Shutout

CMA Award Nominations Announced: Eric Church, Chris Stapleton & Maren Morris Lead the Pack With 5 Nods—Aldean and Shelton Shutout

The CMA Awards were announced Wednesday morning (Aug. 31) on ABC’s Good Morning America with help from Keith Urban, Dierks Bentley and Cam, who read the list of nominees live from the Grand Ole Opry house in Nashville.

Maren MOrrisNewcomer Maren Morris, Chris Stapleton and Eric Church lead the pack with five nominations each. Carrie Underwood, Dierks Bentley and Keith Urban are right behind with four nominations each.

Carrie Underwood and Chris Stapleton both picked up their first nominations for Entertainer of the Year, while Jason Aldean, Blake Shelton, Sam Hunt and Kenny Chesney were all shutout.

Hosted by Brad Paisley and Carrie Underwood, The 50th annual CMA Awards will air live from Nashville’s Bridgestone Arena on Wednesday, Nov. 2 at 8/7 CT on ABC.

Check out the full list of nominees below.

2016 CMA Award Nominees

Entertainer of the Year

  • Garth Brooks
  • Luke Bryan
  • Chris Stapleton
  • Carrie Underwood
  • Keith Urban

Female Vocalist of the Year

  • Kelsea Ballerini
  • Miranda Lambert
  • Maren Morris
  • Kacey Musgraves
  • Carrie Underwood

Male Vocalist of the Year

  • Dierks Bentley
  • Eric Church
  • Tim McGraw
  • Chris Stapleton
  • Keith Urban

Album of the Year

  • Black – Dierks Bentley
  • Hero – Maren Morris
  • Mr. Misunderstood – Eric Church
  • Ripcord – Keith Urban
  • Storyteller – Carrie Underwood

Vocal Group of the Year

  • Lady Antebellum
  • Little Big Town
  • Old Dominion
  • Rascal Flatts
  • Zac Brown Band

Vocal Duo of the Year

  • Brothers Osborne
  • Dan + Shay
  • Florida Georgia Line
  • Joey + Rory
  • Maddie & Tae

New Artist of the Year

  • Kelsea Ballerini
  • Brothers Osborne
  • Maren Morris
  • Old Dominion
  • Cole Swindell

Song of the Year (Awarded to Songwriters)

  • “Burning House” – Cam, Tyler Johnson, Jeff Bhasker
  • “Die a Happy Man” – Sean Douglas, Thomas Rhett, Joe Spargur
  • “Humble and Kind” – Lori McKenna
  • “Record Year” – Eric Church, Jeff Hyde
  • “My Church” – busbee, Maren Morris

Single of the Year

  • “Die a Happy Man” – Thomas Rhett
  • “Humble and Kind” – Tim McGraw
  • “My Church” – Maren Morris
  • “Nobody to Blame” – Chris Stapleton
  • “Record Year” – Eric Church

Musical Event of the Year

  • “Different for Girls” – Dierks Bentley feat. Elle King
  • “Home Alone Tonight” – Luke Bryan feat. Karen Fairchild
  • “The Fighter” – Keith Urban feat. Carrie Underwood
  • “Think of You” – Chris Young with Cassadee Pope
  • “You Are My Sunshine” – Morgane Stapleton with Chris Stapleton

Video of the Year

  • “Burning House” – Cam, directed by Trey Fanjoy
  • “Fire Away” – Chris Stapleton, directed by Tim Mattia
  • “Humble and Kind” – Tim McGraw, directed by Wes Edwards
  • “Record Year” – Eric Church, directed by Jon Peets and Reid Long
  • “Somewhere on a Beach” – Dierks Bentley, directed by Wes Edwards

Musician of the Year

  • Jerry Douglas – Dobro/Lap Steel Guitar
  • Paul Franklin – Steel Guitar
  • Dan Huff – Guitar
  • Brent Mason – Guitar
  • Derek Wells – Guitar
RaeLynn Shares New Music From Upcoming Album With Fans

RaeLynn Shares New Music From Upcoming Album With Fans

Some of RaeLynn’s biggest fans gathered for Nash FM 103.3 Presents RaeLynn in the Music City Performance Studio brought to you by Farm Bureau Insurance of Tennessee event Tuesday afternoon (Aug.30) to get a first listen to the rising star’s upcoming album.

RaeLynn took the stage to talk with approximately 25 of her closest friends about making the album and her current single, “Love Triangle.” She even shared a few stories about herself during the intimate gathering.

Raelynn_Perf_Nash1033“I’m so excited to be here,” RaeLynn told the crowd. “I am beyond excited to be working on a new record right now. I’m actually finished with it. I did my last vocals on it a couple of weeks ago. I started writing for this record when I was 18 and now I’m 22. Being a girl, you probably know that the girl you are at 18 and the girl you are at 22 is so different. This record is so awesome because it shows my growth in the last four years. It shows where I’ve been, where I was and where I am today. I’m so excited because I’ve just been waiting for so long to get it out to you guys. Thank you so much for being patient. I feel so great about it.”

The Texas native proceeded to kick off the show by playing one of her favorite songs, “Your Heart,” from the new record, as well as her current single, “Love Triangle.”

“‘Love Triangle’ was that song that really put me on the map as a songwriter in Nashville,” she revealed. “I remember amazing songwriters like Shane MacAnally and Natalie Hemby—people that I had looked up to as songwriters—would come up to me and say, ‘”Love Triangle,” when is that going to be a single, that song is incredible.’ A lot happened for me in the writing world because of this song and how vulnerable it was. It’s been in my life for four years. This song has healed me so much. I didn’t even realize that I needed healing in my life in this area. Just goes to show how much you cover it up or you mask it, you have to heal. Writing this song let me deal with the pain and the hurt that I felt growing up and being stuck in between my parents.”

Raelynn_BadgesAlthough the name of the album has yet to be revealed, an overly excited RaeLynn, accidentally dropped the name to the audience, giving those 25 fans in attendance some exclusive information.

We could reveal the name, but Raelynn would be very, very mad as us and we wouldn’t want that. So you’ll have to stay tuned to Nashcountrydaily.com to find out the title and the surprise guest who will be singing on the new record. You won’t be disappointed.

To be a part of the Music City Performance Studio concerts, fans are invited to register online for their chance to attend the event. The next scheduled performance will be with Randy Houser on Oct. 6. A schedule of upcoming events can be found here.

 

Photos by Lisa Konicki

Watch Kelsea Ballerini Perform “Peter Pan” in the Nash Country Daily Studio and Talk AboutHer First Time Tour

Watch Kelsea Ballerini Perform “Peter Pan” in the Nash Country Daily Studio and Talk AboutHer First Time Tour

Kelsea Ballerini is on the verge of making country music history! If her latest single, “Peter Pan”—which is currently sitting in the No. 3 spot—hits the top of the Billboard charts in the coming weeks, Kelsea will become the first female artist to have her first three singles from her debut album reach No. 1.

The notion of that is all too surreal for the young lady from Knoxville, Tenn., to comprehend.

“When I made this album [The First Time], I got to write the whole thing, and all I wanted was for it to be heard and I didn’t know what capacity or any of that. I just knew that I wanted the songs to be heard,” Kelsea tells Nash Country Daily. “The fact that they’ve been embraced like they have—I mean [to have a] No. 1, that’s the number one most played song in the country at that week. That’s a crazy thing for me to even wrap my head around, so it’s bigger than I could have even expected.”

Written by Kelsea along with songwriters Forest Glen Whitehead and Jesse Lee, “Peter Pan”—about an ex-love who can’t seem to grow up, invoking the spirit of the childlike fictional character Peter Pan—showcases a deeper side to the 22-year-old.

“Making this record I wanted to cover [ages] 12–21, which is kind of broad,” says Kelsea. “A lot of it was finding myself and being young. ‘Love Me Like You Mean it’ and ‘Dibs,’ those are very flirty, fun, kind of carefree songs and that’s a big part of me, but ‘Peter Pan’ was the one that I feel like kind of got to get a little deeper in and kind of get a little songwriter in, which I really wanted people to see.”

You can also see Kelsea this fall as she heads out on her first-ever headlining tour, The First Time Tour, kicking off in Houston on Oct 21.

“I feel like I’ve gotten to watch and learn from the people I’ve gotten to open up for the last few years and I’ve gotten to watch these legends put together these shows,” adds Kelsea. “Now, I have three songs that hopefully people know and I kind of wanted to get up close and personal with people and let them see more of me. It’s going to be fun putting together the bells and whistles and a big ole show. I’m stoked!”

One thing that Kelsea wants to have on tour as part of the show? A confetti cannon. “I want a confetti cannon so bad,” she said.

Go see Kelsea on The First Time Tour and see if she gets the confetti cannon of her dreams.

Check out the clip of Kelsea in the NCD studio below.

Watch Ol’ Softy Tim McGraw Surprise a Wedding Party by Singing “My Little Girl”

Watch Ol’ Softy Tim McGraw Surprise a Wedding Party by Singing “My Little Girl”

Tim McGraw knows a thing or two about marriage—he’s been hitched to Faith Hill for 20 years—and he’s always happy to share his thoughts on the subject of his blessed union. But getting Tim to perform at your wedding? That seems like a pipe dream for a lot of country music fans. Father of the bride David White, however, made it a reality on Saturday, Aug. 27.

Unbeknownst to his daughter, Lisa, her newlywed husband, Paul Getz, and the friends and family in attendance, David arranged for Tim to perform “My Little Girl” during the father-daughter dance.

After Tim stepped onstage sporting a tux and black cowboy hat, it took the crowd a few seconds to realize what was going on—and who was onstage—before they erupted in applause. But Tim didn’t stop after one song, he ended up performing for about 45 minutes.

Check out the clip below.

Connect Four

Connect Four

With his recent No. 1 single, “Make You Miss Me,” Sam Hunt has become the first solo artist to earn four Billboard Country Airplay No. 1s from a debut album. The Airplay chart launched in 1990, and since then, only three groups have copped four No. 1s from a debut album. Any guesses who they are? Click the title for the answer.

In Honor of Labor Day, the 40 Hardest Working Songs in Country Music History: #31–40

In Honor of Labor Day, the 40 Hardest Working Songs in Country Music History: #31–40

It’s time to clock in—we’ve got the 40 Hardest Working Songs in Country Music. Today, Aug. 30, we’re featuring #31–40.

Country music throughout the decades has not only embraced its working class roots, it’s made a point to praise them. Yes, work is tough, as Merle Haggard wrote in “Workin’ Man’s Blues” or as George Strait sang in “Amarillo by Morning.” But to the hardcore country fan, hard work and sticking to it also represents a badge of pride. That’s why so many country songs are devoted to the working class—after all, it’s the core audience.

As we observe Labor Day on Monday, Sept. 5, we’ve picked 40—in honor of the 40-hour workweek—country songs that truly get to the heart of the working man and woman.

So, take a little time from your stressful day, kick back and savor these 40 songs—only one from each artist—about what all of you do every day: namely, keep this country moving with your work and dedication.

Tuesday, Aug. 30: #31–40
Wednesday, Aug. 31: #21–30
Thursday, Sept. 1: #11–20
Friday, Sept. 2: #1–10

#40. “Beat Me Down”

Wade Bowen
2012
Whether it’s a foreman breathing down your neck, a boss riding your butt, or logging too many miles on the road until it feels like my brain is fried, feels like my soul is dead, a beatdown is a beatdown. Have a drink and listen to Wade Bowen’s thumping rocker. You’ll feel better. And, as Wade suggests, you’ll get back up again.

#39. “The Dollar”

Jamey Johnson
2006
Don’t get so busy making a living, you forget to make a life. That’s the message in this heartbreaking ode to the hard-workin’ man, whose son wants to pay Daddy a fair wage for a little of his time. Jamey’s typically gravelly voice softens in this tune making it worthy of two tear-filled tissues.

#38. “This F***ing Job”

Drive-By Truckers
2010
The title says a mouthful, but DBT does more than put into verse the way many people feel about trying to live on fast food wages. There’s the underlying message of chasing your dream, and when you accomplish it, knowing you have to work extra hard because that crappy old day job is still nipping at your heels.

#37. “Amarillo Sky”

Jason Aldean
2006
Thanks to an incredible arrangement that builds within the verses to a pleading chorus, a visual-filled lyric that includes lines like On his knees every night he prays “Please let my crops and children grow,” and Jason’s almost crying vocal, you can feel he anxiety that the farmers honored in this song have every growing season.

#36. “Family Man”

Craig Campbell
2010
Even temp work is better than no work in Craig Campbell’s aching ballad about living paycheck to paycheck. From wondering how he’ll buy food for his babies, to paying for a used truck over time, it’s real life in 4/4 time.

#35. “Call the Captain”

Steep Canyon Rangers
2007
The Steep Canyon Rangers’ despondent bluegrass ballad about the perils of coalmining sounds like it could have been written a century earlier. Within that turn-of-the-century aura is the relatable everyman struggle of yearning for a better life outside of the mines where there are clear blue skies and a whole lot more.

#34. “Long Hot Summer Day”

Turnpike Troubadours
2010
The Turnpike Troubadours took the John Hartford bluegrass ditty, which harkens back to the Twainesque era of working on barges and tugboats, and punched it up with an electrifying fiddle solo and boot-stomping beat that almost makes working on the Illinois River in the summer heat sound idyllic.

#33. “Working in the Coal Mine”

The Judds
1985
The Judds reference a classic work song setting in their take on “Working in the Coal Mine,” originally a hit for R&B singer Lee Dorsey. Along with anvil noises, the lyrics are pure, searching misery wondering when the hardship will end, while the upbeat arrangement adds an almost-jeering counterpoint.

#32. “Workin’ Man (Nowhere to Go)”

Nitty Gritty Dirt Band
1988
Being out of work is tough, and the situation never sounded grimmer than in the Dirt Band’s late ’80s hit. You feel for the guy’s shame and embarrassment, both professionally and socially, of not being able to find gainful employment.

#31. “One More Dollar”

Gillian Welch
1996
This folky tune from the Americana darling depicts a day laborer in the orchards who yearns to return home to his family. He puts his money away a dollar at a time, but with the freezing branches and a bad roll in a dice game, it’s unlikely he’ll ever make it.

Tune in tomorrow, Wednesday, Aug. 31, as we reveal songs #21–30.

 

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